“Pitch” Episode 2: Ginnsanity
Earlier recaps: Episode 1.
Welcome to our recap of the second episode of “Pitch”, entitled “The Interim”. As always, there are spoilers, so read at your own risk.
We join Ginny Baker (Kylie Bunbury) in the aftermath of her first major-league victory (which is, of course, the first ever major-league victory by a woman). After the locker-room blowup we saw last week, Ginny’s determined to not cause any more of a fuss, despite the outside pandemonium that sports pundits have dubbed “Ginnsanity.” She wants to be “just one of the guys.”
The best way to do this is by going out for drinks with some of her Padres teammates. Almost immediately, they address the issue of Ginny’s sexuality — something that, ideally, wouldn’t be relevant, but, in reality, most definitely is. Ginny’s not a “nun,” nor is she a lesbian, but she doesn’t hook up with teammates, either. Now they know.
The good times with her teammates don’t last long. Their buzz is killed by the bar TVs showing sports talking heads (Katie Nolan, Colin Cowherd, Kristine Leahy) discussing the clubhouse fracas. Ginny tips the bartender to change the channel, who flips to something called “On Point with Rachel Patrick” (a fictional program).
Rachel (played by actress JoAnna García Swisher, known for “Reba” and as the real-life wife of Nick Swisher) is talking about something she refers to as the “Florida case,” a locker-room sexual assault by a male track-and-field star on a female track athlete. “Hey, I wonder what Ginny Baker would have to say about this?” Rachel ponders. “She’s in a locker room with men.” Mike (Mark-Paul Gosselaar) finally turns the TV off — but surely we have not heard the last of this.
The next day, Ginny embarks on her first road trip with the Padres. She’s taking the team bus to Los Angeles, despite her agent Amelia’s (Ali Larter) insistence that they drive up separately. Ginny grabs a seat next to Mike, who proceeds to berate her about waving off too many of his calls the night before. He gives her advice (“You need to trust your changeup more”), and they go over video.
The Padres’ GM, Oscar (Mark Consuelos), has brought the team owner, Frank (Bob Balaban), a shortlist of managerial candidates to replace Al Luongo (Dan Lauria). Frank has given Al “the season” to get it together.
Al’s seeming inability to control the clubhouse was a big enough issue, but he gets into even hotter water when a two-year-old clip of him describing Ginny as “easy on the eyes” resurfaces. This seems like the sort of thing that would have gotten a lot more attention when it originally happened, and would have required an apology at the time, rather than something that would only come up again two weeks into Ginny’s major-league tenure.
Still, in the “Pitch” universe, this is a new thing with which Ginny and the Padres have to deal. Ginny is willing to issue a statement in support of Al, but Amelia is vehemently opposed to the idea.
On the day of the first game in the Padres-Dodgers series, Ginny is stopped by Rachel on her way to the clubhouse. Rachel wants Ginny to come on her show to comment on the Florida rape case. Ginny, still set on not causing a stir, is incensed, insisting that it’s not her responsibility to speak about a situation that has nothing to do with her.
As much as Ginny wants things to remain calm, there’s still the matter of Al’s comments. Before speaking formally to the press, Al visits Ginny to personally apologize. He then gives a fairly convincing statement to the media, but things go awry when reporters start pressuring him about the state of the team and whether or not Ginny is a “distraction.” “Geez, guys, can we just go back to talking about how pretty the girl is?” Al asks in a poor attempt at humor.
That day’s game goes badly for the Padres, who blow a one-run lead in the eighth inning on a series of errors. Ginny demands that Amelia release a statement supporting Al, believing it’s the best way to help restore a sense of normalcy for the team. But it may be too late, as Frank has lost all patience with his manager, and now wants Oscar to select an interim manager by the week’s end.
It seems like the hook for Al is overly quick, although Frank has apparently been discontent with him for some time. That said, it also seems that the last thing a team in the midst of a transitional period needs is another major shakeup. While in-season managerial changes are hardly unheard of, I’m not sure I buy it happening under these circumstances. Readers, feel free to weigh in on this below.
This week, we start to learn a bit more about the personal lives of Ginny’s teammates — particularly, Blip (Mo McRae) and Mike. Blip and Mike are dichotomous when it comes to their relationships with women. Blip is happily married to a very supportive woman named Evelyn (Meagan Holder), who knows just how to deal with Blip’s idiosyncrasies (like his belief that he needs his lucky Grandmaster Flash T-shirt to break out of a mini-slump).
Mike is divorced, and while he lives like a playboy, it turns out that he’s still in love with his ex-wife. That ex just so happens to be Rachel. Mike makes an attempt to win her back, but she’s already engaged to someone else, much to Mike’s devastation.
Ginny goes on “Jimmy Kimmel Live”, with the plan being for her to do a lighthearted bit about clubhouse decorating tips. I don’t think anyone’s especially broken up about missing out on that when Ginny decides to go off script. “It seems like I’m sort of making a statement just by existing lately,” Ginny explains, “so what the hell. Why not make a few more?”
Ginny criticizes Al’s comments, but defends him as a manager and as a person. She also weighs in on the Florida rape case: “We don’t need to make sure that every girl goes in the right room. We need to make sure every boy knows it’s wrong to rape.” It’s tangential, but it’s Ginny using her proverbial megaphone for good, as both Rachel and Mike encouraged her to.
While Ginny’s away, there’s another rumble in the Padres clubhouse. A worn-out Mike has had about enough of his teammate’s juvenile behavior. He calls them out for how poorly they’ve adjusted to the attention they’ve gotten since Ginny joined the team. “I’ve got a radical idea,” Mike declares. “How about we start winning in front of sold-out crowds?”
It’s yet another effective pep talk — Mike seems to be good at those — and it’s apparently just what the Padres needed to hear before their game that night. Blip breaks out of his slump with a three-run home run, en route to a Padres rout of the Dodgers, 9-1.
The win doesn’t appear to be enough to save Al’s job, though, as bench coach Buck Garland has to break the tough news to his manager that he’s on the verge of being fired.
There are more flashbacks in this week’s episode, this time focusing on how Ginny first paired up with Amelia. In 2014, Ginny was pitching for Double-A San Antonio. San Antonio has been the Padres’ Double-A affiliate since 2007, and the public address announcer welcomes fans to “Wolff Stadium” (where the San Antonio Missions play), though the ballpark “Pitch” uses is clearly not a Double-A stadium. On the day Ginny and Amelia first meet, the Missions are playing the Midland RockHounds, the Double-A affiliate of the Oakland Athletics.
At the time, Ginny’s older brother, Will (B.J. Britt), was serving as her agent. Amelia (who, to that point, had only represented movie stars) pursued Ginny hard, eventually winning her as a client.
We learn a bit more about Ginny’s pitch arsenal this episode. Her fastball “tops out at 87,” which she describes as “the slowest fastball in the league.” (Apparently, Jered Weaver doesn’t exist in the “Pitch” universe.) We also learn that, in addition to that and her screwball, Ginny throws a slider and a changeup.
“Pitch” continues to make ample use of FOX’s sports programming. Besides the aforementioned sports personalities, we see a bit of FS1’s MLB Whip Around, featuring Kevin Burkhardt and C.J. Nitkowski. Matt Vasgersian also makes another appearance.
The first Padres-Dodgers game is broadcast on FS1. The second game’s broadcast information isn’t specified, though it’s definitely a Fox Sports broadcast of some kind. It seems like it should be easy enough for “Pitch” to use the branding for the Padres’ actual regional network, Fox Sports San Diego, but the show hasn’t done that yet.
Overall, it’s another strong episode for “Pitch” and a good follow-up to the pilot. We get to see Ginny handle some more tough issues, and we begin to see the supporting cast fleshed out a bit. There’s a good balance of on-field action, clubhouse milieu, front-office dealings, and the lives of characters outside the ballpark. It wasn’t quite as dramatic as the show’s premiere, but next week’s episode is titled “Beanball”, which sounds fairly promising in terms of drama.
Sarah Wexler is a contributor to Dodgers Digest. She recently earned her master's degree in Sports Management from Cal State Long Beach. She graduated from New York University in 2014 with a bachelor's in History and a minor in American Studies. Follow her on Twitter @SarahWexler32.
Joey Votto is very easy on the eyes, would his manager need to apologize if he said so?
Forget Votto, Kris Bryant is the dreamy-eyed star of your fantasies.
You could get lost for days in Kevin Kiermaier’s eyes.
Brian McCann… Seems like he’s got a good personality.
https://m.youtube.com/watch?v=MxsiZjHO7SA
Gus triandos, out of sympathy for catching hoyt Wilhelm lol.
You’d think someone who reads fangraphs would understand a false equivalency when they see one, and yet…
The only false equivalency is that Votto is way cuter than Ginny, and hotter too with those thight pants.
Okay I’ll bite… I would totes make sex with Nolan Arenado.
Good synopsis, Sarah. Any idea how fast women are actually pitching today?
Thanks! Hard to find data on this, but based on what I saw from the Women’s Baseball World Cup, it looks like the fastest that was being thrown was mid-to-high 70s.
Sarah Hudek, who pitched for a community college last summer, sits upper 70’s low 80’s with a decent hook and bloodlines (father John played in the bigs), which for a lefty could have made her at least a semi-interesting prospect. Too bad she transferred to Texas A&M for softball, which she has never played before.
You didn’t play much baseball did you? There is not a CC (or high school) in this country that doesn’t have pitchers with upper 70’s heat and some off-speed stuff. #notAnInterestingProspect
Considering that a screwball is basically a very hard changup with added wrist pronation in the delivery (think: prime Felix), I’m not sure exactly what sort of changeup one would pair with that kind of pitch. I guess a two-seam changeup from a relatively vertical arm slot? At that point, you’d be significantly better off with a curveball and no changeup. Slider works extremely well, though from such a vertical slot, it’s going to have less cut than would be desirable.
I dunno. It’s like… a really weird repertoire.
To be fair, Eno has written about pitchers who throw multiple change-ups before.
http://www.fangraphs.com/blogs/on-chase-andersons-two-changeups/
Brent Honeywell, a top prospect in the Rays system, throws a screwball and a change-up (which I believe is a circle change), and both pitches are quite good. It’s my understanding that screwballs are thrown with some amount of topspin (like a reverse curve), while change-ups are thrown with some amount of backspin, just less than a fastball. Thus a screwball will have more depth than the change-up. Honeywell’s screwball is also a few mph slower than his change. Honeywell might be the only guy in baseball right now throwing a “true” screwball and not a modified change-up.
Most if not all fictional TV shows ask for some degree of suspension of disbelief, so I don’t have an issue with her repertoire being odd, no more than Game of Thrones having dragons, white walkers and magic.
Well, I think there’s a difference between suspension of disbelief due to a fundamental point of the story and suspension of disbelief due to lazy writing. The screwball is a good example. I’m willing to suspend disbelief about that particular pitch since Ginny’s special snowflake nature has to be supported somewhere in her pitching, and the screwball makes for a very convenient and topical way of doing that. But once you’ve got that hook out of the way, the rest of the repertoire should be realistically complementary (since there’s no reason NOT to make it so).
There’s a difference between suspension of disbelief and tolerating internal inconsistency.
I suspend disbelief so I can treat Baker as a character in a story and not merely an actor pretending to be a pitcher. I suspend disbelief so I can treat those dragons as monsters eating humans in Westeros and not CGI doing nothing to actors on a sound studio. I can pretend that Baker is a real pitcher in Pitch and I can pretend that dragons exist in GoT.
But that’s not like internal inconsistency: which is when the story itself doesn’t make sense. Pitch has built a world that is apparently just like ours (San Diego Padres, FoxSports, has the same people we know of (“I have a thing for Mike Trout”), behaves physically like the real world, baseball behaves the same) so the things the characters do have to make sense in that world. I can pretend that the character isn’t just an actor, but I can’t pretend that gravity doesn’t exist or that baseball doesn’t work the same.
I can pretend that Westeros is a world with magic, but it needs to fit within the implied constraints of that world: we know the dragons can breathe fire in that world, but we wouldn’t accept it, if out of nowhere, they started speaking English.
Baker is a baseball pitcher. She should pitch in a way that makes sense in the Pitch universe and thus baseball. That’s not to say she isn’t, but rather that she must.
pretty sure that screwball grip she uses is just a circle change.
Since the “screwball” her father showed her was actually a circle change, I am personally assuming that that’s what she’s throwing until they say otherwise and that somehow late career Dad just got the name wrong when that unnamed Latino player taught it to him.
I thought a screwball was pretty much a reverse breaking ball. It seems to me like it would compliment a fastball, change, and standard breaking ball (her slider) very well. Throw the slider mostly to righties and the screwball mostly to lefties.
Nobody believes that Jered Weaver has something that can be called a “fastball” any more.
To borrow from Prince, maybe “the pitch formerly know as fastball”?
*known
I haven’t seen the show, but a female knuckleballer strikes me as a much more plausible scenario. I honestly think we will see a female knuckleballer in the big-leagues one day. As for a screwballer with a 87 mph fastball and a variety of breaking ball and offspeed offerings, I’m more skeptical.
Due to the way the female shoulder functions, I can actually believe that a female pitcher would throw a screwball better than a male pitcher (at least in so far as we can define the pitch). I would imagine, actually, that the first female pitcher will be a low-three-quarters pitcher with a mid-80s sinker, frisbee slider and some sort of arm-side pitch (a cutter, hard change or maybe a screwball would all work). That’s the profile of a specialist reliever, barring something really outstanding (e.g. pinpoint command and a lot of movement on the two breaking pitches).
So really, the show isn’t too far off in that regard. Though their depiction of her mechanics is pretty ridiculous.
I could see a very tall girl who is obsessed with baseball and doesn’t care much for basketball having a shot of developing into a more or less standard pitcher. If Brittney Griner (who is about the same size as Doug Fister) had put all her focus into baseball, I could see her developing a mid-80’s fastball with maybe greater apparent velocity because of the extension possible in her delivery.
But for females 6′ and under, the knuckleball is probably the path. Get the chance to kick ass with it in high school, then get a chance to play at a DII or DIII school and continue to do well, and you might get a chance to play indy league ball long enough to master the knuckler well enough for an MLB organization to take a flyer.
Also have not seen the show.
It will definitely need to be a girl that is TOTALLY obsessed with baseball. My daughter is 6′, and there are too many other realistic options (with better/easier pathways) for a tall athletic girl. Basketball, volleyball, ?soccer?, track and field, swimming… probably missing a few more. All these other sports already have school teams in lower age groups for girls (as well as club teams), and most importantly, have potential female sports scholarship availability in college.
Girls are so much more sensible about this than boys (generally). They realize they aren’t likely to become professional athletes, and so they look to see what their sporting choice/ability can provide for them in college.
I would think that even females with an eye on a professional sports career will choose a sport that is supported at the youth and college level for females… as those are more likely to have “in-place” professional possibilities post college. Either in the US, or internationally.
Once they reach high school, baseball will offer little (except roadblocks) for the female athlete.
And,what D1 or D2 school is going to give money to a female baseball player, when there are SO many more readily available male players… many (most?) of whom are likely to be near as good (or better)… and will require no special treatment?
It will take a special circumstance.