Like many other nerds, I have devoted a lot of time to slicing and dicing Baseball Savant’s new bat tracking data over the last few weeks. And like many other nerds, I’m not entirely sure how we’ll end up using this wealth of new information. More time, more data, and more brain power is needed to wring out whatever sweeping new truths it may hold. I’m going to write about bat tracking data in a more focused way next week. There are a couple things I think are really interesting; not necessarily new information, but ways that bat tracking data can give us hard numbers for things that we’ve already learned. In this article, I’ll be a bit more scattershot. I’d just like to take you through how I’ve processed all the information that has come out over the last few weeks.
First off, bat tracking will give us new stats that stabilize more quickly than existing ones, as that’s how granular metrics that separate underlying skills from results tend to work. In smaller samples, exit velocity turned out to be a better predictor of overall batting performance than wRC+ or wOBA. Now we have swing speed, which in smaller samples turns out to be a better predictor of exit velocity. To wit, I pulled data from the first week of bat tracking, April 3 to April 9, and compared it to each player’s overall numbers this season. I eliminated any player with fewer than five plate appearances during the first week or fewer than 100 PA during the entire season, which left me with a sample of 295 players. It was no contest. Full-season exit velocity had a much stronger correlation to first-week swing speed (R = .60) than it did to first-week exit velocity (R = .40). It also predicted full-season hard-hit rate better than first-week hard-hit rate (R = .66 for swing speed, compared to R = .46 for hard-hit rate). If, after the first week, you want to know who’s going to hit the ball hard for the rest of the season, don’t look at exit velocity. Look at swing speed:
Today, we’re here to talk about Ryan McMahon, but before we can do that, we need to talk about Joe Kutina. Joe Kutina didn’t steal any bases in 1912. A 6-foot-2, power-hitting first baseman in his second season with the St. Louis Browns, that wasn’t necessarily his job. Kutina earned his spot in 1911, batting .374 with a .589 slugging percentage for the Saginaw Krazy Kats of the Class-C Southern Michigan League. He joined St. Louis at the end of the season, putting up a 96 wRC+ with three home runs in 26 games with the Browns. In 1912, his wRC+ dropped to 59 and he launched just one homer in 69 games. He also got caught stealing seven times.
Bain News Service, 1912
I know that getting caught stealing seven times sounds like a lot, but things were a little different back then. In the 1912 season, 73 players got caught stealing at least seven times. Ty Cobb led the league with 34 unsuccessful steal attempts, and three other players also got nabbed at least 30 times. The difference is that Cobb and those three others combined for 203 successful steals. Kutina, once again, stole zero bases. That made him the first player in AL/NL history to get caught stealing at least four times without successfully stealing a single base in a season — or at least to be recorded doing so in that era of spottier record keeping. According to Stathead, over the last 112 years, just 216 players have replicated Kutina’s dubious accomplishment. Although that averages out to a bit below two per season, the distribution isn’t exactly even.
We’re only third of the way into this decade, but unless the pace picks up dramatically, we’ll end with the lowest total since the days when Joe Kutina was lumbering around the bases with reckless abandon. As it turns out, one of the changes wrought by the data revolution was an unwillingness to let players who were incapable of stealing a base keep trying and failing over and over again. This is why people don’t like analytics. Read the rest of this entry »
During most baseball games, there are eight people calling the action. Both the home and away teams have radio and television broadcasts, and most of those crews consist of a play-by-play announcer and a color commentator. If those teams have a Spanish language broadcast, the number is even higher. More often than you might think, something notable happens in the middle of a game and not one of those eight people notes it. Maybe a player will square around to bunt but end up taking the pitch, and that detail just goes unremarked upon by everyone. It’s a small detail, but it’s part of the story of the game. It tells you about the batting team’s strategy and their confidence in the hitter. It informs the defense’s pitch selection and positioning. Maybe the television crews figure you already saw it. Maybe the radio crews need to squeeze in a promo or the color guy’s in the middle of an anecdote about that one time he got to be an extra in Little Big League. There’s only so much time between pitches, and the announcers all have a decision to make on how best to fill it. Either way, if you’re listening on the radio, or if you’re looking away from your television for a moment, you’ll never know it happened at all.
Something happened on Wednesday, in the first game of a doubleheader between the Tigers and Pirates. I found it remarkable, but apparently I was alone. No one else mentioned it. The Pirates were starting Jared Jones and Paul Skenes that day, and I was watching Detroit’s television broadcast. I did so partly because Jason Benetti is a delight, but mostly because when Jones and Skenes are on the mound, it’s fun to hear the opposing announcers react with awe as they watch batter after batter on their own team get taken apart limb from limb. Unfortunately for both Jones and me, the Tigers avoided dismemberment, hanging five earned runs and two unearned runs on Jones en route to a breezy 8-0 victory. On the bright side, Benetti and Kirk Gibson, who was serving as color commentator, decided that for much of the game, the best way to spend their time was by bickering like an old married couple.
Benetti: Do they know you at your local donut shop?
Gibson: No.
Benetti: They know you as the guy who orders all the chocolate fry cakes.
Gibson: I don’t. I’m on the sugar free now, so I’m not doing it now. So nobody knows.
Benetti: Well, everybody knows you’re on the sugar free diet because you keep saying it. Read the rest of this entry »
It’s the double-R that makes it tricky. In the name Victor Robles, all of the emphasis is front-loaded. Victor is spondaic and Robles is trochaic, which means three stressed syllables in a row followed by that one last unstressed syllable: VIC-TOR RO-bles. It’s a shout followed by a whisper, which doesn’t exactly roll off the tongue. But even if you cheat a little bit and turn the first name into a trochee — VIC-tor RO-bles, sing-songy like Mickey Mantle or Dr Pepper — you still can’t get it to flow because you need to pause between those two Rs, lest the two names get pressed together into one breathless pileup of syllables: victorrobles. No matter what you try, that emphatic start grinds to a halt.
After more than 10 years and nearly as many false starts, the center fielder’s time with the Washington Nationals has come to a complete stop. The team designated Robles for assignment on Monday, eight days after his 27th birthday. They now have a week to trade, waive, outright, or release him. Robles, who is in his eighth season as a big leaguer, would almost certainly opt for free agency rather than accept an outright assignment to the minors. Despite his struggles, he seems likely to garner another opportunity. To Washington fans who had been dreaming on him since 2015, Robles often seemed tantalizingly close to finally breaking out. Over the course of his career, Robles has a combined .725 OPS in his first 10 games of a season and a combined .576 OPS in his last 10. He has a career 93 wRC+ in March and April; May is the only other month when he’s within 10 points of that mark. Many of those hot starts were also marred by early-season injuries: a hyper-extended elbow in April 2018, a sprained ankle in May 2021, back spasms in May 2023, a strained hamstring this April. He just never found a way to keep it going. Read the rest of this entry »
For the last few years, I’ve been checking the accuracy rate of the ball-strike calls made by umpires, dividing the number of correct calls by the total number of takes. It’s a blunt approach, but because umpires make so many thousands of calls each year, it yields solid results. On Tuesday, I pulled the numbers for the 2024 season, and I found something I didn’t expect: Accuracy is going down rather than up. In every single season since the beginning of the pitch tracking era in 2008, umpires have gotten better at calling balls and strikes according to the Statcast strike zone. This is the first time I’ve ever pulled the numbers and seen a lower accuracy rate. However, this is also the first time I’ve checked the numbers this early in the season, and it turns out umpires tend to make better calls as the season goes on. Since 2017, accuracy in March, April, and May has been 0.19 percentage points lower than accuracy over the full season (though the difference in 2023 was just 0.03 percentage points). Here’s what that looks like in a graph.
You know how at the beginning of every season, there are a couple blown calls during a nationally televised game (or at least, calls that appeared to be wrong according to the on-screen strike zone), and certain people start complaining that umpires are terrible and they’re getting worse? Those people always catch me off guard. I usually forget about the missed calls when the season ends, but those people somehow manage to keep their umpire anger at a high idle through the entirety of the offseason so that the instant baseball returns, they’re ready to shout about the umpires again without any need to ramp up. I don’t know how they do it without pulling an oblique, but in a sense, those angry people are right. Even though the umpires are always getting better year after year, they’re nearly always more accurate toward the end of the season than at the beginning — so much so that when the season starts, they’re worse than they were at the end of the previous season. For a month or two, the umpires really have gotten worse. We often say early in the season that pitchers are ahead of hitters. It turns out they’re ahead of umpires too.
For each season, I broke down the overall accuracy in two-month increments, essentially dividing the season into thirds. I also broke down the accuracy during spring training and the playoffs, although there are plenty of factors that make those numbers suspect. During spring training, the umpiring pool is much wider. Perhaps more importantly, there are far, far fewer tracked pitches during spring training, both because the number of games is so small and because not every stadium is set up for Statcast. That results in a much smaller, much less reliable sample. The playoffs are also a much smaller sample, but they’re also, at least in theory, selecting for better umpires. Working the playoffs is seen as an honor and a reward for performing well in the regular season. We should expect accuracy to be at its lowest during spring training and highest during the playoffs.
Generally speaking, the results fit our preconceptions. Spring training accuracy is very low and it features the volatility that we’d expect from a small dataset. Umpires are also more accurate in the playoffs. The red line is March, April and May, and as you can see, it’s nearly always below everything but the spring training line. Not only do umpires start getting better in June, but they keep getting better right through the end of the season, which is why the light blue line for August, September, and October is usually above the yellow line for June and July. The trend is a little bit easier to see if we focus just on pitches in the shadow zone, the area that’s one baseball’s width from the edge of the zone on either side.
In the graph above, the dotted line represents that season’s overall accuracy on calls in the shadow zone. Each data point represents the number of percentage points above or below that year’s average. Not only do the calls get better as the season goes on, there’s a definite gap between the first two months and the rest of the season. Umpires are decidedly worse in those first two months. However, 2023 was a real outlier. It was first time since 2008 that umpires were more accurate in the beginning of the season than the end.
With that, I want to bring you back to 2024. So far this season, umpires have gotten 92.46% of calls right, down from 92.81% in 2023 and just two thousandths of a percentage point higher than in 2022. Based on everything I’ve shown you, we should expect umpires to get better over the rest of the season. However, the drop-off from last year is noticeable. Accuracy over the first two months of the season has only fallen once before, from 2009 to 2010, when it dropped by 0.16 percentage points. So far this season, accuracy has fallen by twice that amount: 0.32 percentage points. That’s a tiny change, on the order of one call per game, but that doesn’t make it any less real. We’ll have to wait and see how the rest of the season goes, but perhaps this year really could end up being different. Or, if it follows the pattern of the past decade and a half, accuracy will soon be in its way up.
As I write this before the start of play on May 23, we’re just about a third of the way through the season, and I don’t think we can avoid it anymore. Jurickson Profar is batting .339 with a 178 wRC+. Jurickson Profar ranks 10th in baseball with 2.2 WAR. Jurickson Profar, who signed a one-year, $1 million contract on February 24. Jurickson Profar, who until this season averaged 0.8 WAR per 162 games over 10 seasons, and last season put up -1.7 WAR, making him literally the least valuable player in baseball. Jurickson Profar leads all qualified National League players in on-base percentage (.431) and ranks in the top 10 in batting average, slugging percentage (.517), RBI (32), and strikeout rate (13.7%). Jurickson Profar.
(I say qualified because LaMonte Wade Jr. and his .481 OBP did not have enough plate appearances to be among the league leaders. Naturally, between the time I wrote this post and now, Wade crossed the qualification threshold, so Profar now ranks second.)
“I imagine that everybody here at FanGraphs generates ideas for articles in different ways. Looking at leaderboards is certainly a common method. You click around, sorting by different stats until someone looks out of place. ‘How did you get all the way up here?’ is what the start of a FanGraphs article sounds like.”
Well, here we are. How the name of Bip Roberts did Jurickson Profar get all the way up here?
I honestly don’t know what the Padres were expecting when they brought Profar back, but this couldn’t have been it. Let’s quickly establish just how out of character this run has been. Not only has Profar never had a 52-game stretch like this, he’s never come close. He’s running a .949 OPS. Before this season, his best 52-game span in a single season came in 2018, when he ran an .882 OPS. That’s a 67-point difference. Profar is batting .339, but until this season he’d never once had a span this long where he hit above .300. Here’s his 52-game rolling wRC+ for his entire career. His previous high came on August 2, 2022. It was 31 points lower.
Right off the bat, this graph tells us that after a horrible 2023 season, Profar was due for some regression of the good kind. He came into this season with a career wRC+ of 92, and that figure is 97 if we limit it to his last six seasons. The smart bet was that he was going to bounce back at least part of the way from last year’s 76 wRC+ clunker.
There’s also another obvious gimme: Luck. Profar has never finished a season with a BABIP above .300, but he’s currently at .371, tied for fourth highest in baseball. His .416 wOBA is 38 points above his .378 xwOBA, a differential that puts him in the top 10 percent of all batters. The 2.3-homer difference between Profar’s 4.7 expected home runs and 7 actual home runs is the seventh-largest gap in baseball. Profar’s line drive rate, which had never risen above 27.7% in a season, is currently at 32%. It’s fantastic that Profar is squaring the ball up so much, but line drive rate is also notoriously fickle. We can and should expect all of these numbers to come back down.
Profar is running career bests in both walk rate, 13.2%, and strikeout rate, 13.7%. In order to get a handle on how that has come about, I compared his plate discipline numbers from this year to his average the four previous seasons.
Profar’s Plate Discipline
Season
O-Swing%
Z-Swing%
Swing%
O-Contact%
Z-Contact%
Contact%
Zone%
2020-2023
27.4%
67.9%
44.8%
70.6%
88.7%
82.4%
43.0%
2024
28.6%
70.1%
45.7%
66.2%
91.7%
82.3%
41.0%
As you can see, he’s seeing fewer strikes, and he’s being a bit more aggressive, especially in the zone. He’s also making more contact inside the zone, but not outside the zone. That last part is unsustainable. People don’t usually get better at making contact specifically on the pitches that they want to hit anyway. When it does correct itself, it will result in lower walk and strikeout rates, and more weakly hit balls in play. Still, the numbers aren’t shouting anything particularly clear. According to Statcast, Profar’s swing/take decisions have been worth 21 runs, just the second time in his career that it’s been a positive number. That’s the fifth-highest mark in baseball, and it slots him right between Mookie Betts and Juan Soto. However, according to SEAGER, Profar’s swing decisions put him in the 19th percentile. Right now, I just want to see a bigger sample size.
Profar has always been good at making contact, but so far this season, he’s doing so while hitting the ball harder. This is where things get real. Even though it’s propped up by a line drive rate that’s too good to be true, a .378 xwOBA is a huge jump for Profar, whose career best of .338 came during the short 2020 season, when he put up a 113 wRC+. The switch-hitting Profar is also succeeding from both sides of the plate, running a 181 wRC+ as a lefty and a 172 wRC+ as a righty.
This season, Profar’s average exit velocity is a career-high 90.4 mph. More importantly, he’s seen a big jump in his 90th percentile exit velocity, going from 101.8 mph in both 2022 and 2023 to 104.5 this season. That moved him from the 25th percentile to the 58th. His 40.8% hard-hit rate is not just a career best, but it’s the first time he’s ever touched the 50th percentile. None of this is enough to make him a power hitter or make a .517 slugging percentage sustainable, but it is a serious jump, and those kinds of numbers are hard to fake. Moreover, they’re coming after some changes to Profar’s swing. From the left side of the plate, Profar has changed up his stance significantly, starting out much more open, with a bigger bat waggle at a steeper angle. From both sides of the plate, he’s gone from almost no leg kick whatsoever last year to bringing his foot several inches off the ground this year.
Adding a leg kick is a common way for a player to try to increase power, and it certainly seems to be working for Profar so far. According to Statcast’s new bat tracking metrics, Profar is slightly above average in terms of squaring the ball up and slightly below average in terms of bat speed. There’s no way to know where he ranked in previous seasons, but based on all of this, I don’t think it would be crazy to give him the benefit of the doubt and expect some of this new exit velocity to stick.
There’s one last thing I’d like to consider. It’s possible that Profar is just very happy to be home, or that he happens to see the ball particularly well in San Diego. Profar has a career 123 wRC+ in Petco Park. Over his time with the Padres from 2020 to 2023 (excluding his time with Colorado in 2023), he’s run a 113 wRC+ at home, compared to 96 on the road. Even this season, he’s at 212 at home, compared to a (somehow) relatively pedestrian 149 on the road. I wouldn’t put a ton of stock in that theory, but there’s a possibility that Profar just feels comfortable at Petco.
So where does all of this leave us? It definitely doesn’t leave us thinking that Profar is now a true-talent .300/.400/.500 hitter. He’s due for some regression in terms of BABIP, in terms of line drive rate, and in terms of contact rate outside the zone. On the other hand, it does seem like he might have found a way to hit for a bit more power without sacrificing much in the way of contact ability. We’ll have to wait and see where exactly that leaves him.
For years now, a simple message has been gaining traction in major league bullpens and pitching labs: Just throw it down the middle. As big league pitches have gotten speedier and bendier, the people who throw them have been increasingly advised to trust their stuff, stop nibbling around the edges, and attack the heart of the zone. Adam Berry wrote about the Rays adopting this approach in 2021. In 2022, Bryan Adams superfan Justin Choi looked into the numbers and noted, “In each season since 2015, when Statcast data became public, hitters have accumulated a negative run value against down-the-middle fastballs.” Last year, Stephanie Apstein documented the phenomenon in Baltimore, while Hannah Keyser and Zach Crizer did the same on a league-wide basis, describing the Rays model thusly:
Step 1: Develop unhittable stuff
Step 2: Let it rip down the middle
Step 3: Win
Just last week, Jeff Fletcher wrote that after trying and failing to get their pitchers to attack the zone more often, the Angels started putting their pitchers in the box to face their own arsenal, courtesy of a Trajekt pitching machine. “I knew my pitches were good,” said José Soriano through an interpreter, “but when I faced myself, I find out they’re really good. So I have more trust in my stuff now.” Pitches right down the middle are called meatballs for a reason, but if you’ve ever watched peak Max Scherzer demolish the heart of the other team’s lineup by simply pumping 97-mph fastballs across the heart of the plate, none of this comes as a galloping shock.
Still, I wondered whether I could find data to back up this shift in mindset. Are pitchers really attacking the zone more often? And are better pitching staffs (or staffs with better stuff) really attacking the middle of the plate more often? After all, the Angels rank 22nd in Stuff+ and 14th in PitchingBot Stuff, not to mention near the bottom in ERA, FIP, and xFIP. If they feel this good about their stuff, I’d imagine that every team does. Read the rest of this entry »
Over the course of his storied career, Andrew McCutchen has stood there and watched ball four go by 1,075 times. I watched something like 750 of those pitches on Thursday, and then I cut them down into supercuts. I hope to God I never to see another ball four. I was watching for something specific. I noticed the other day that McCutchen flips his bat a lot, which caught me off guard. If you’re a Pirates fan, I’m sure you know exactly what I’m talking about, but I suspect people outside Pittsburgh might be startled by it, too. After all, McCutchen is a veteran who tends toward a more traditional playing style. That’s not to say that he plays without any flair or that he doesn’t have a sense of humor (he definitely does), just that he’s on the staid side of things. In fact, in October of 2017, McCutchen tweeted his disapproval of the trend.
The issue is not that McCutchen has necessarily changed his mind. He doesn’t really flip his bat when he hits a home run. He’ll do it on rare occasions, but most of the time, he handles his homers with a quiet cool. He finishes his home run swing one-handed, with the bat held low, and he simply drops the bat head toward the ground and lets go of the handle in a smooth continuation of that move. It’s a classic look, and though it’s hard to imagine that McCutchen doesn’t know he looks cool while he’s doing it, it doesn’t come off as an affectation.
Instead of home runs, McCutchen flips his bat when he earns a walk. I’m not the only person to notice this. A Ke’Bryan Hayes fan account started a Twitter thread of McCutchen’s bat flips back in May of 2023, adding a video each time he did it for the next two weeks. In July, the Pirates posted a compilation video on TikTok with the caption, “Either pitch to Cutch or risk getting bat-flipped on.” If you think about it, for someone who really loves bat flipping, the walk is the perfect time. First of all, just about everyone walks more often than they homer, which means more chances to party. Second, while a walk is good for the batter and bad for the pitcher, it’s not a big enough deal that the pitcher will feel like you’re rubbing their nose in it. Third, nothing is expected of the batter after a walk. There’s no risk of flipping your bat dramatically and then realizing that you should have been running around the bases because the ball isn’t carrying like you thought it would. Read the rest of this entry »
The phrase outer space has been around since 1842, but I’ve always thought that it’s a strange one. Space is the catchall word we use for any empty area. It’s a little bit silly that someone looked up at the unknowable vastness of the universe and decided to refer to it in the same way you’d describe a spare bedroom to a friend who needs a place to crash. Either way, there’s plenty of space out there. There’s space between planets and space between galaxies. Cosmic voids, the vast empty spaces between gravitationally linked galaxies, make up more than 80% of the universe.
Saturday was Space Night at LECOM Park in Bradenton, Florida. While Paul Skenes was dazzling a packed house in Pittsburgh, the Bradenton Marauders, the Pirates’ Low-A affiliate, held a stargazing session after the game and played “Space Oddity,” “Man in the Moon,” and “Mr. Spaceman” over the PA between innings. Staff members wore NASA flight suits. On the field, the Marauders overcame a two-run deficit to beat the Port St. Lucie Mets, 4-3, extending their winning streak to nine games. Also on the field: a turtle.
In the top of the second inning, with a 1-2 count on leadoff batter Yohairo Cuevas, the home plate umpire called time out and turned his head toward left field. It took a while for the rest of the heads in the park to follow, but when they did, they were rewarded with a show. A turtle roughly the size of home plate walked into left field as a defensive replacement. The human outfielders wanted no part it. Center fielder Sergio Campana gently pushed his teammates toward the turtle, and as they cautiously approached it, the turtle started hauling shell toward center field. Left fielder Esmerlyn Valdez waved to the bullpen for help. Eventually, reliever Magdiel Cotto jogged out, hoisted the creature from behind, and hauled it back to the bullpen. The whole saga lasted just over a minute, or as Reptiles Magazine put it, “Turtle’s Minor League Debut Short-Lived.” Read the rest of this entry »
Your local beat reporter has the power to shape the way you see your favorite team. Day in and day out, it’s their voice delivering the good news and the bad, telling you what’s happening on the field and in the locker room. If you’re lucky enough to love a team with a good beat writer, it can absolutely deepen your relationship with the sport. A reporter might become required reading because they write beautifully, make you laugh, really know the game, ask good questions, or build great relationships with the players. If you don’t have a good beat writer, it’s easier to drift away from the team, and even the sport. They matter quite a bit, is what I’m saying. Despite that fact, beat reporters are rarely the focus. For all they mean to us, we don’t even see their faces all that often. Most of the time, all we see of a beat reporter is a disembodied hand holding a recording device (or, as in the picture below, the very tip of their nose).
It’s a complicated job. It requires knowledge of the game, constant creativity, tight deadlines, long hours, travel, and the ability to forge good relationships with players despite the fact that you sometimes have to stick a recorder in their face and ask, “So what was going through your mind when you made the error that cost your team the game?” In order to learn more about what the job actually entails, I reached out to Andrew Golden, who took over as the Washington Post’s lead beat writer covering the Nationals this season and has been on the beat for a few years.
Although he’s barely three years out of college, Golden’s credentials are imposing. In high school, he played baseball and wrote about sports for the school paper and for a blog he ran with some friends. He double-majored in journalism and African American studies at Northwestern, where he covered sports for the student newspaper, the Daily Northwestern, earning internships at the Kansas City Star, Chicago Tribune, and Washington Post. The Post internship came immediately after graduation, and he was hired full-time when it ended. Golden had spent three months covering the Washington Commanders and another three covering various sports when an editor asked him if he’d like to cover the Nationals, working with the lead beat writer at the time, Jesse Dougherty.
“I always loved baseball,” he told me. “It’s my first love, and so l hoped at some point I could cover it. I just didn’t think it would happen the way that it did.” He joined the club during the last week of Spring Training in 2022. “To go from helping out with Navy basketball coverage to then suddenly you’re in the clubhouse and you see Juan Soto and Josh Bell, it was very much a culture shock… I don’t think I talked to Juan Soto for the first month, I was so starstruck.” When I spoke to Golden last week, he took me through the nuts and bolts of the job, and humored me when I asked questions like whether it was possible for a beat reporter to be an introvert.
For Golden, 24, a normal day on the beat starts at 9 a.m., earlier if it’s a Sunday. The first thing he does is go over the previous day’s game. “I typically like to look back at the night before and see the big trends,” he said. “Obviously, when you’re writing on deadline, there are certain things that you might miss because you need to type or something happened in the late innings that maybe you missed. So I typically like to go back and look at the night prior and do some studying… I go back and look at Baseball Savant. Does anything stand out? Did this pitcher utilize one pitch more than he normally does? Those sorts of things. What trends did I miss?” He’ll also catch up on the previous day’s news at each level of Washington’s farm system and read whatever might have been written about the Nationals or their players from other news outlets. For the first of several times throughout the day, he’ll consult with his editors about what he’s working on now and what he might work on next.
Most importantly, he’ll research and write. In addition to writing game stories, beat reporters write everything from statistical deep dives to profiles of coaches and players to breaking news about the business side of the game. At 5:12 on Friday morning, the Post published an article Golden wrote about how Trevor Williams has succeeded by using his four-seamer less often. On the day we spoke, he mentioned that he was researching Luis García Jr.’s recent success at the plate. If all that sounds like a lot, well, it is. Later in the interview, I had to circle back and make sure that I understood the logistics of, specifically, at what point of the day Golden has time to do normal person things like go to the store. The answer: whenever he finishes all of the work above. “I get normal things done,” he laughed. “There is that free time, that flexibility during the morning, definitely. I promise I have groceries in my fridge.” For that reason, he dreads 4:00 p.m. games, which don’t leave time to do anything either before or afterward. “I love 1 o’clock games or 7. You know you’re going to have the front or the back end free, but 4 o’clock is right smack in the middle.”
It’s not always feasible, but for a typical 7 p.m. game, Golden prefers to get to the ballpark at 1:45. The clubhouse opens to reporters at 3, and until then he writes down questions he’d like to ask and keeps an eye on the field. “I like to be there early. Sometimes you’ll see a guy on the field doing something and it might pique your interest.” At 3, he goes down from the press box to the clubhouse. “It’s open for 45, 50 minutes, so that’s your time to talk to players, talk to front office people if they’re there, talk to whoever’s around.” Reporters are only allowed in certain parts of the clubhouse. Places like the kitchen, training room, and bathroom are off limits. Some parts Golden has never seen even once. “There’s two sections,” he said, “an office area and a coaches’ locker room area where we’re not really allowed. And there’s a back section we’re not allowed either, and I truly can’t tell you what’s back there.” Manager Davey Martinez talks to reporters at 4, and after that reporters go on the field to watch batting practice.
“You can still get players then if you want,” he explained. “If you can grab them coming off the field, that sort of thing. That’s typically when I like to talk to Darnell Coles, the hitting coach. The hitting coach is really busy, but I always know that he has to come off the field and walk past me, so I can get him when he’s coming off the field.” Golden laughed as he said the last part, but he explained that learning each player’s routines and figuring out how to be in the right place at the right time is actually a crucial part of the job. “I think that’s one of the things about the beat that people don’t realize. There’s definitely a rhythm to how things go. You know the relievers will always be around because they’re not doing a ton of prep work before the game… But starting pitchers are rarely around because they’re obviously going through their whole routine to get ready. And the hitters are kind of hit or miss. It depends on when they go to the cage and what their routine is. That’s one thing I didn’t know early on, like, ‘Oh, I want to talk to Josiah Gray.’ And Josiah was figuring out his routine and going through his stuff, and I was like, ‘Man, why is he never here?’ You have to kind of give these guys these moments and try to figure out what their routines are, and you build around that.”
Once batting practice is over, reporters return to the press box to eat dinner before the game. For a night game, Golden’s 700- to 800-word game story is due when the final out is recorded, which means that he’s taking notes and writing throughout the game, then rewriting when new developments come up. “That was an adjustment too,” said Golden. “When do you start writing? Because obviously things can change. If somebody hits a go-ahead home run in the eighth inning, it can completely flip your story… Sometimes it just takes time to kind of develop that muscle and learn how to do that. I think that was a struggle at first, but then it starts to get a little bit easier, it starts to come to you a little more naturally.” Many beat writers also tweet the play-by-play throughout the game. Here’s a sample of Golden’s Twitter feed during last Wednesday night’s 12-inning affair between the Nationals and Orioles. Luckily for him, colleague Spencer Nusbaum was in charge of the game story that night.
As soon as their stories have been filed, reporters head back down to the clubhouse to hear from players and coaches again. “While we’re down there, our editors are editing the story,” said Golden. “And then we’ll come back up, and then we’ll add quotes in, and that’ll be the final story. So it’s probably an hour between when I file the first one and the second one.” At that point, the reporters finally get to go home or to their hotel, unless it’s getaway day. Golden generally prefers to go straight from the ballpark to the airport so that the next day, he can wake up in the city where he’ll be covering the game. I stammered a bit after Golden finished walking me through a normal day on the beat. It was a lot to take in. “So, so that’s — I mean, that’s a long day,” I said. “Yeah,” he said, laughing. “It is a grind. I’m sure people kind of know that, but I don’t think they know the extent. I mean, I have friends who are like, ‘Well, the game starts at 7. Don’t you get there at like 5:30?’”
It’s a grueling job: a month away from home during spring training, then a six-month-long season of days like the one described above, half of them on the road, with few days off. Knowing that, I asked Golden whether my impression of the beat writer demographic was correct. I’d noticed that beat writers tend to be either very young reporters or veterans who have been doing it forever because they’ve found a way to balance the lifestyle. “Yeah, that’s absolutely correct, at least from what I’ve seen,” he said. “I remember somebody telling me when I started, ‘Yeah, this is a job that you have when you’re single and have no kids’… You do it when you’re young, because it’s easier to manage a 162-game season when you don’t have all those other responsibilities, families, all that stuff.”
Golden recently got engaged, and the quirks of his job have been a part of the relationship from the very beginning. His first date with his now-fiancée was supposed to take place on the first Sunday of October 2022, but the Nationals and the Phillies needed to play four games in three days, all of them rain-soaked because a hurricane was bearing down on the east coast. Golden was texting her throughout the weekend, trying to explain the scheduling and scoring arcana that would determine whether he could make it or whether they’d need to reschedule. “It’s hard to explain how ridiculous it is. I’m trying to explain to her… we just have to get to the fifth inning and then we’re good. She’s like, ‘Why do you only need to get through half a game?’ There are so many things about baseball that we think are so normal that actually are not normal to normal people.” To make the grind more manageable, he now sends his parents and his fiancée an email every month with his entire travel itinerary, down to the flight numbers and hotels.
Golden mentioned another challenge to working the beat for an extended period of time: finding new ways to tell the same story. “I think when you first get started on the beat, everything feels new,” he said. “Coming up with ideas can be challenging when you’ve written stuff before. Trying to think, ‘How can I make this new?’ or ‘How can I make this different from before?’” As with any job, some days are harder than others. “There are some days where you just don’t have it. There’s just some days where you’re tired, you just got off a plane this morning and you drove to the stadium. And it’s day eight of a road trip and you’re like, ‘Man, I just don’t have it today.’ Those days definitely happen.”
All of this makes Golden more impressed by the veterans who have been doing it for years and years. “There are people who do balance both and who do this for a very long time. Mad props to them for that,” he said. “I can imagine trying to balance all those things, but it definitely is either younger people or people who have been doing this like 40 years and really know the business, know everybody in the business, and know the organization. The people who have institutional knowledge, it’s really interesting. One of our beat reporters is Mark Zuckerman [of MASN]. He’s been covering the team since 2005. He has an institutional knowledge that I just don’t have.”
That brought us to another important part of the job: Beat writers need to develop relationships with the people they’re covering. I asked Golden whether he has an easier time talking to players now than he did when he first started. “Definitely, yeah,” he said. “When you first join the beat there is a bit of — it’s not discomfort, but — I guess discomfort is the right word. They don’t really know you, you don’t really know them, and now you’re developing trust with them.” The most important thing is putting in the time, especially on road trips. “When you travel, and they realize that you’re traveling with them a lot and they see you on the road a lot, you’re going through the ride with them. I think they start to respect you more and they start to open up more, because they also understand you are going to be around.” Traveling and befriending writers in other cities has also made that easier. For example, when the Nationals signed Eddie Rosario, Golden asked Justin Toscano, who covered Rosario for the Atlanta Journal-Constitution, for advice on how to connect with him. He also traded notes about Jeimer Candelario and Nick Senzel with Charlie Goldsmith of the Cincinnati Enquirer, which was easy because Goldsmith also happened to be Golden’s college roommate.
Golden mentioned several other ways to build trust with players. When they see you keep your word about not printing off-the-record comments, they start to trust that you’re not there to make them look bad. Similarly, they appreciate when a writer strikes the right balance when someone’s struggling. Some of the Nationals follow Golden on social media, where it is sometimes his job to talk about what’s going wrong with the team. “It can be a little bit awkward having to go to guys and be like, ‘Hey man, what happened there? Why’d you make that mistake?’ Or, ‘What was going through your mind?’ It can be awkward, uncomfortable. Nobody wants to ask about failures.” Managing to tell the truth respectfully makes a difference. “As long as you’re fair, and you’re not attacking them personally, I think people can respect that… I think a lot of times, people think the players will get upset if you say something negative. But I also think if you pretend like everything is positive and going well, I think they get upset with that too. Where the guy is 2-for-40 in his last 10 games, and you’re like, ‘What do you think you’re doing well at the plate right now?’ And they don’t want to hear that… You don’t want to personally attack somebody or say something negative about them as a person. But I also do think there’s a balance. You want to be honest with where they’re at. And if they get upset with your honesty, you have to live with that.”
Toward the end of the conversation, I asked Golden what people might not understand about his job. He mentioned the hours and the various unseen aspects, but he also talked about the perspective that comes from doing it day in and day out, and the way that all of his research allows him to ask the right questions. “Having to know the ins and outs of the team, and thinking critically about every roster move. What does this mean? Even just now, Robert Garcia just returned from a rehab assignment, and then Matt Barnes got DFA’d. And what does it mean? What does it mean for Tanner Rainey? I think my first year, I was not thinking like that. Now, your brain naturally goes like that. It’s an odd thought, like, ‘Man, my brain moves like this now?’ But there’s a lot of thought that goes into this.”