Archive for Visual Scouting Primer

A Visual Scouting Primer: Pitching, Part Two

Kiyoshi Mio-USA TODAY Sports

Welcome back to another round of scouting lingo! If you’re new here, be sure to check out the first installment of the pitching visual scouting primer, which includes an introduction to this series, along with parts one, two, and three of the hitting visual scouting primer, to catch up on what I’ve already covered.

In this installment, we’re making our way back to the mound to delve into the rich world of pitch shapes, specifically those of four-seam fastballs. As usual, much of this may be familiar to you, but my hope is that these visual examples can serve as a reference for the various ways we distinguish between different pitch shapes in scouting reports. Read the rest of this entry »


A Visual Scouting Primer: Hitting, Part Three

Peter Aiken-USA TODAY Sports

Welcome back for another installment of FanGraphs’ Visual Scouting Primer! For previous editions, or an introduction explaining the concept of this ongoing series, you can click here, here, and here, but in an effort to tamp down my word count, I’m diving right into it this time. Read the rest of this entry »


A Visual Scouting Primer: Hitting, Part Two

Troy Taormina-USA TODAY Sports

Earlier this week, in the second installment of this ongoing series, I started picking apart the language used to describe baseball swings. But given how many elements make up a player’s swing, and therefore how much terminology exists to describe the subtle (and not so subtle) differences between them, I could only fit so much into that post before I had to cut myself off.

I’m skipping the preamble this time, so if you’re not quite sure what you’ve stumbled into with this primer, you can catch up with the first and second editions of this series, and meet me back here when you’re ready. I will, however, reiterate that the point of this is not to identify “good” or “bad” elements of baseball mechanics, but rather to define these terms as descriptive tools, as opposed to value-based judgements. And just like in my last post, I’m focusing on big leaguers for this one, thanks to the availability of side views of their swings, which are featured in MLB broadcasts, but missing from most MiLB game feeds.

Now, as promised, I’ll pick up exactly where I left off.

Short Swing vs. Long Swing
In Hitting, Part One, I dug into players’ loads, i.e. where a player’s hands come set before he starts his forward motion toward an incoming pitch. When a swing is described as being either “long” or “short” to the ball, that is referring to how quickly and directly a player can get the barrel of his bat to the ball. There’s some debate as to whether the length we’re describing is a measure of time, or of distance, but in either case, a “short” swing is one where a player’s bat moves directly to the ball, while a “long” swing is one where the bat’s path is less direct.

Typically, being short to the ball is favored, in the same way that a pitcher’s repeatable delivery is often more favorable than a violent one (see Pitching, Part One, for more on that). Of course, there are many exceptions to that rule, but generally, being short to the ball is considered a good thing. This is largely due to the fact that the simplicity of a short swing is often seen as more reliable and sustainable, particularly as a player is still developing in the minor leagues. A short swing allows a player to wait longer before deciding whether to swing at a given offering, which can be valuable by way of pitch selection, and for a minor leaguer who hasn’t yet faced advanced pitching, that bodes well for how he’ll fair as opposing pitchers’ velocities increase and their command becomes more precise.

Short swings come in many flavors. Here are some examples:

Short to the Ball, With Power: Yordan Alvarez

Yordan Alvarez’s simple load and short bat path allow him to attack pitches and get the sweet spot of his bat to the ball quickly. He guides the knob of his bat directly to where the pitch is coming at him, and the barrel of his bat quickly follows the same route.

Short to the Ball, Without Power: Steven Kwan

Kwan is short to the ball, but his swing differs from Alvarez’s cut. Whereas the appeal of Alvarez’s being short to the ball allows him to apply his upper body strength to pitches throughout the strike zone, Kwan’s swing is more about simply getting his bat on the ball, even if he’s not trying to send it out of the park. As such, a side-by-side look at their respective swings shows similarly short bat paths, but by the time they’re making contact, their postures are very different, illustrating the difference between a power swing and a contact swing (more on that later).

Sometimes, adding length to a swing is valuable. For example, Fernando Tatis Jr.’s deep load, and Junior Caminero’s bat wrap (both featured in my previous entry), create a longer distance for their bats to travel, but are also contributors to those players’ bat speed and power production.

Long to the Ball: Davis Schneider

In Schneider’s case, his long swing isn’t due to a particularly deep load or a bat wrap. His bat simply takes a longer route to the strike zone from his load to his point of contact.

A side-by-side comparison with Alvarez’s direct bat path makes this easier to see. Switching back to a front view of their respective swings (the camera movement in Schneider’s side view makes for a nauseating side by side), keep an eye on the heads of their respective bats. You’ll first see the swing all the way through, then with a few freeze frames thrown in to illustrate the moments when their bat paths differ the most, with Schneider’s dipping down behind him, rather than making a straight line to the ball.


Thus far, Schneider has used his long swing to optimize his launch angle, despite his middling average exit velocity. Because he raked during his first taste of the majors last year, albeit in just 35 games (141 plate appearances), it is acceptable for him to maintain his current mechanics (weirdos welcome!), but if he encounters timing issues in the future, he may have to adjust to shorten his swing.

Shortening Up: Alec Bohm

Adjusting swing length can make a huge impact on a player’s ability to consistently get to his power in a game. After a headline-making 2020 season, Bohm’s power dipped significantly the following year. This may have been due to his swing becoming too long.

Here’s a look at his swing in 2020:

And here’s what it looked like in 2021:

And to make it even clearer, here’s a side by side, first all the way through, and then with some handy freeze frames:

These camera angles are slightly different, so I can’t overlay these videos to make my point, but you can see that his 2021 swing starts earlier, and begins with his back elbow dipping, and his bat head looping back toward the catcher, whereas in 2020, his hands and bat moved directly to the ball. As of 2023, his power was back, as was his short swing.

Power vs. Contact Swing
As I hinted above, in the Alvarez-Kwan comparison, players will often develop swings that are geared specifically toward either power or contact. The reasons why players do this are relatively self explanatory, and based on body type, speed, positional profile, or countless other attributes that may make a player more valuable if he focuses on either power or contact, rather than both.

Power Swing: Kyle Schwarber

Schwarber generates power with a stable, balanced lower half, with his weight evenly distributed, if not slightly shifted toward his back foot. He uses his strong hands and arms to generate bat speed without sacrificing that stable base. Schwarber’s swing has always been geared for power, though he has simplified it in significant ways since he came up with the Cubs.

Schwarber’s old swing included a much noisier load, an obvious hitch (or trigger), and a more pronounced leg kick. The leg kick, in particular, caused Schwarber to shift his weight during his swing, whereas his current mechanics finish with his weight distributed in more or less the same way as before he starts his swing, allowing for an even stronger and more stable base. In other words, while it’s always been a power swing, the simplifications he’s made over the years have enhanced the power-driven aspects of it.

Contact Swing: Luis Arraez

Arraez is MLB’s current king of contact. Dating back to his debut in 2019, he’s never finished a season with a contact rate below 90%. He’s short to the ball, and adjusts the barrel of his bat to pitches throughout the strike zone. In contrast to Schwarber, Arraez’s lower half is less stable, with his back foot rarely staying planted, and he lets his arms extend as he makes contact with the ball, essentially allowing the weight of the bat, combined with basic physics, to do more of the heavy lifting, when it comes to power generation (or lack thereof).

He doesn’t hike his back elbow up like Schwarber does, and he’s not clubbing the ball with his upper body, so when he makes contact, he doesn’t focus on activating the muscles in his arms to drive the ball a great distance, opting instead to throw his hands toward the ball, and simply spray line drives to whatever part of the field makes the most sense, based on the pitch’s location. (He led the majors in line drive percentage in 2023.) In slow motion, you can see that the impact of the ball on the bat causes his arms to wobble in a noodly kind of way, which you’ll rarely see from a pure power hitter like Schwarber, whose arms stay bent and flexing as he makes contact.

That’ll do it for this installment, but I’ll be back soon with yet another batch of hitting terminology, and after that we’ll get back to the pitching side of things. Stay tuned!


A Visual Scouting Primer: Hitting, Part One

Michael McLoone-USA TODAY Sports

A few weeks ago, I introduced an ongoing series aimed at clearing up the confusion that sometimes accompanies the scouting-specific language that pops up in our (and others’) scouting reports. While the first installment was an introduction to pitching terminology, this one will be focused on hitting. And while the previous entry was part of Prospect Week, and accordingly featured almost entirely videos of prospects, this one will focus more on current big leaguers.

There are a number of reasons for the departure from prospects for this installment. For one thing, I believe it’s easier to understand these terms when they’re exemplified by players with whom you, the dear reader, are more familiar. Additionally, most of the terms I’ll dig into that are used to describe swings are more easily illustrated using a side view of a player’s swing and, unlike major league broadcasts, minor league broadcasts tend not to include these angles. But even aside from that practicality, I think it’s important to place these terms in a broader context than just prospect evaluation. While some of these terms are sometimes used to describe a possible hinderance to a prospect’s development, I want to emphasize that they aren’t inherently good or bad. Players can excel at the major league level while still embodying these traits, even the ones that, in a vacuum, seem to carry negative connotations.

Just like in the last installment, many of these terms will be familiar to you as baseball-savvy folks, but I hope that the accompanying visuals will serve as a useful supplement to your consumption of scouting reports, both past and present. And because I can’t help myself, I’ve sprinkled a few prospects in throughout the piece for those of you who may be jonesing for more prospect coverage. Read the rest of this entry »


A Visual Scouting Primer: Pitching, Part One

Robert Edwards-USA TODAY Sports

Scouting is a complex process. Sure, subjectivity and personal preference are biases that will always color the approach scouts take during the evaluation process. But beyond that, the task of describing in words how players differ, and what context is relevant during each player’s individual evaluation, is an entirely different type of challenge than just separating the “good” from the “bad.”

When writing scouting reports, I’m often reminded of a thought experiment that was introduced to me in an undergraduate linguistics class, wherein the professor had us each imagine a bowl of oranges on a kitchen counter. He then asked us how we would approach the task of going into another room and describing one specific orange in that bowl, such that the person we were talking to, having not previously seen the bowl of oranges, could go into the kitchen and successfully select the orange we were describing. The limits of language were clearly illustrated by this exercise. Assuming there weren’t any obviously different oranges (no tangelos or satsumas to make our delineation clear), it required us to avoid terms like “more orange” or “less squishy” because those terms lose meaning without an agreed upon reference point. Read the rest of this entry »