As noted by FanGraphs author Jeff Sullivan earlier this month, Tyler Glasnow has become a different and better pitcher. Being traded from the Pittsburgh Pirates to the Tampa Bay Rays is playing a part in that, but there’s more to his step forward than a simple change of scenery. The 25-year-old right-hander had already begun evolving.

Glasnow added a slider to his repertoire this year, giving him a third pitch to go with his high-octane heater and a curveball that has always flashed plus. He’s also started to elevate more fastballs, allowing him to take advantage of his velocity and above-average spin rate. Perhaps most importantly, he’s been getting his mechanics in order. Inconsistency has long been a bugaboo, with Glasnow’s 6-foot-8 frame getting much of the blame whenever he’s gotten out of whack with his delivery.

He’s back to a starting role now. The Pirates put him in the bullpen this spring, and he remained there until Tampa Bay finally pulled the trigger on an anticipated Chris Archer deal, acquiring Glasnow along with Austin Meadows and Shane Baz. The Rays promptly placed the high-ceiling hurler in their rotation, where they hope he remains for years to come.

Glasnow talked about the strides he’s made, particularly in terms of his repertoire and delivery, prior to a recent game. Also weighing in on the right-hander’s continued development is Tampa Bay pitching coach Kyle Snyder.

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Glasnow on his two breaking balls: “They’re different grips, and the intent is different. Early in the count, I’m more of a curveball guy, while the slider is more of a put-away pitch. I would say my slider is the better of the two, but it’s easier for me to throw my curveball for strikes. I grip my slider like a traditional slider. My curveball is a pitch I release with the seams a little more parallel to my fingers.

Tyler Glasnow’s slider grip.

“The break is similar, they’re both 12-6, so I think it’s maybe hard for PITCHf/x, or whichever technology is being used, to [classify them]. In terms of usage, I’ve been throwing them pretty evenly. The curveball is a little slower and kind of just drops in the zone. The slider bites a little sharper. It comes in off a straighter plane, then breaks down.

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While Kendrys Morales’s consecutive-game home-run streak — which ended at seven games on Monday night — and the Blue Jays’ season-high five-game winning streak provided some distraction, this past weekend brought news that most people following the team probably already intuited, namely that Troy Tulowitzki will not play this year. The 33-year-old shortstop had undergone surgery to remove bone spurs in both heels in early April, and while there were initially hopes that he could return in late May or June, and optimism that he could still return this season as late as a month ago, he’s never gotten to the point of going on a rehab assignment. In fact, he hasn’t played a competitive game since July 28, 2017, when he sprained his right ankle running the bases. While he’s vowed to return, it’s difficult to be optimistic about his future.

Though he’s earned All-Star honors five times, won two Gold Gloves, and at one point appeared to be laying the foundation for a Hall of Fame-caliber career, Tulowitzki has always had problems remaining on the field. Since debuting with a 25-game cup of coffee in 2006, he’s played more than 131 games in a season only in 2007 (155 games), 2009 (151 games), and 2011 (143 games). He’s played 100 games in back-to-back seasons just once since 2010-11, and averaged just 115 games per year for 2007-17. In the words of Roseanne Roseannadanna, it’s always something.

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No team plays a completely balanced scheduled over the course of a season. Some divisions, naturally, are better than others. Because intradivisional games account for roughly 40% of the league schedule, there is necessarily some irregularity in the strength of competition from club to club. Interleague play, which represents another 10% of games, also contributes to this imbalance. Given the sheer numbers of games in a major-league campaign, the effect of scheduling ultimately isn’t a major difference-maker. Talent and luck have much more influence over a club’s win-loss record. In any given month, however, scheduling imbalances can become much more pronounced.

Consider this: at the beginning of the season, just one team featured a projected gain or loss as large as three wins due to scheduling. The Texas Rangers were expected to lose three more games than their talent would otherwise dictate. Right now, however, there are eight teams with bigger prorated schedule swings than the one the Rangers saw at the beginning of the season — and those swings could have a big impact on the remaining pennant races.

To provide some backdrop, the chart below ranks the league’s schedules, toughest to easiest, compared to an even .500 schedule.

The Diamondbacks have a pretty rough go of it. Outside of five games against the Padres, the other “worst” team they play is the San Francisco Giants. They have one series each against the division-leading Astros, Braves, and Cubs along with a pair of series against both the Dodgers and Rockies. If Arizona were chasing these teams for the division or Wild Card, their schedule would present them with a good opportunity for making up ground. Given their current status, however, it just means a lot of tough games down the stretch.

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Ben Lindbergh and Jeff Sullivan banter about the surprising home run streak of Kendrys Morales, Lucas Giolito, Michael Kopech, and the fluctuating state of the White Sox rebuild, an unusual Yankees save streak and the changing distribution of saves across the majors, and the Rays-Pirates Chris Archer trade in retrospect. Then (25:41) they bring on Rockies starter Kyle Freeland to discuss growing up rooting for the Rockies, the perils of pitching development and recovery at altitude, how he’s conquered Coors Field and put together one of the strongest seasons in franchise history, the adjustments he’s made this season, the secret to inducing weak contact, pitching in pennant races from the beginning of his career, whether Rockies pitchers are perceived unfairly, the benefits of being managed by former pitcher (and pitching coach) Bud Black, and more. Finally, Ben and Jeff review the interview, weigh the merits of strikeout guys vs. groundball guys, and forecast Freeland’s career, and Ben provides some updates and weighs in on the latest debate about Daniel Murphy’s homophobic comments from 2015.

Audio intro: Bob Dylan, "Seven Days"
Audio interstitial 1: Spooky Tooth, "Kyle"
Audio interstitial 2: The Alan Parsons Project, "Standing on Higher Ground"
Audio outro: The Smiths, "Accept Yourself"

Link to Jay Jaffe’s post about Morales
Link to list of pitchers who’ve induced the weakest contact
Link to Freeland’s pitch selection by season
Link to Whitney McIntosh article about Murphy’s comments

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Although FanGraphs is very much a baseball site, we’ve occasionally paid homage to arguably the greatest basketball player of all time, Lebron James. (My favorite was this piece by the inimitable Jeff Sullivan trying to design a 23-WAR baseball player.) Every so often, LeBron does something which forces us to ask questions — questions that might also be relevant to baseball — and then we have to cover it. Something like that is happening now, in a lawsuit about tattoos and video games.

LeBron has some awesome ink. It’s a part of his brand, and so back in 2015, those tattoos were included in the computerized depiction of LeBron created for the NBA2K video game. The game also included tattoos on the bodies of Eric Bledsoe, Kobe Bryant, DeAndre Jordan, and Kenyon Martin (among others). Ordinarily that wouldn’t have been a big deal, except that it led to a lawsuit being filed by Solid Oak Sketches, LLC, against the video-game makers, for copyright infringement. Solid Oak Sketches has an exclusive licensing agreement with the tattoo artists, which means that Solid Oak owns the exclusive right to market, sell, and otherwise control the copyrights to the tattoos in question. In the summary judgment briefing in Solid Oak’s case, LeBron provided an affidavit which said, inter alia, this:

In the fifteen years since I’ve been playing professional basketball, this case is the first time that anyone has suggested to me that I can’t license my likeness without getting the permission of the tattooists who inked my tattoos. No tattooist has ever told me I needed their permission to be shown with my tattoos, even when it was clear I was a public basketball player.

You can already recognize how this might have some relevance to major leaguers. Javier Baez, Matt Kemp, Jose Ramirez, Ryan Roberts, and Gary Sanchez (among many others) have all been known, at one time or another, for their tattoos. If a baseball video game includes them in its depictions of the players, is that copyright infringement? Is showing them on a nationally televised baseball game copyright infringement?

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Last week, I wrote about the Dodgers. Not too long before that, I wrote about the Mariners. Both teams were and are still out of the playoff picture, but they’ve gotten to where they are in opposite ways. The Mariners are 74-57, but they have a BaseRuns estimated record of 64-67. The Dodgers are 70-61, but they have a BaseRuns estimated record of 78-53. The Mariners are four games better than the Dodgers in the actual standings. In the alternate standings, the gap is 14 games in the other direction. What on Earth must have happened over these five or so months? The Mariners have been clutch. The Dodgers have not.

We have our own clutch metric, as you know, that’s rooted in win probability. It’s called Clutch, and you can read a little about it here. In the interest of moving this post forward, here is an up-to-the-minute Clutch score landscape for all of MLB:

The Mariners are in first by a mile. The Dodgers are bringing up the rear. They’re not the only clutch and unclutch teams, but they’re the most *extreme* clutch and unclutch teams. The difference here is about 20 wins, based on timing alone. Timing has allowed the Mariners to look pretty strong. Timing has also caused the Dodgers to look surprisingly vulnerable.

Whenever I write about clutch performance, some of the same questions come up. The big one: Is clutch performance real? Now, for those of you who have been around for a while, nothing to follow is going to surprise you. I’ve written about this in the past, and my results today don’t look any different. But I thought this would be a good time to display all the data again. Clutch performances do happen. Obviously, clutch performances do happen, and they can add up over time. But, historically, it all just seems so random. You should never count on a team to be clutch.

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No matter what else is happening in your life — no matter how dire your circumstances seem, or how far away salvation might appear — you can at least take consolation in the fact that you are, almost certainly, not a New York Met. And yet despite yet another season nearly entirely unsullied by success or inspiration of any kind, 25 blessed souls still labor on in Flushing, and one of those souls is housed in a body named Brandon Tate Nimmo.

According to a profile of the young man published in the New York Times shortly after Nimmo was selected 13th overall in the 2011 first-year player draft, young Brandon grew up in Cheyenne, Wyoming, dreaming of one day becoming a bull-rider. Instead, he became a Met. In the years that followed, Brandon Nimmo turned out to be quite good at playing baseball, as was possible but not overwhelmingly probable back in 2011, and by early this spring writers at this site were calling for him to be given quite a bit more playing time this year, in 2018, than the 215 plate appearances he was allowed in 2017.

To their credit, the Mets have mostly given Nimmo a starting outfield spot this season. To Nimmo’s credit, he’s made the most of it. On the year, for example, Nimmo is slugging .503, with an ISO of .238 and 15 home runs in 413 plate appearances. All four figures are career highs, besting both the marks Nimmo set last year and, in perfect order, also the standards he set in the year before, when he made his debut in Queens as a 23-year-old. This power is especially surprising for Nimmo because, with the exception of a stint at Triple-A that forced his original call-up back in 2016, his power numbers were never anywhere close to this good at any stop in the past. My former colleague Travis Sawchick covered this subject back in June.

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Baseballs have continued to fly out of the park in 2018, if not at a record pace — the current per-team, per-game rate of 1.15 is the fourth-highest of all time, after 2017 (1.26), 2000 (1.17), and 2016 (1.16) — then nearly so. Nonetheless, over the past week-and-change, the game has produced something previously unseen amid this recent surge: a player challenging the major-league record of homers in eight consecutive games, a feat last completed by Ken Griffey Jr. in 1993. Blue Jays designated hitter and occasional first baseman Kendrys Morales has homered in seven straight, something unseen in 12 years. Tonight in Baltimore, he’ll have a chance to put himself in the record books.

Here’s Morales’s entry from Sunday, a towering two-run blast off the Phillies’ Vince Velasquez:

Alas, the homer, Morales’s 21st of the season, wasn’t enough to help the Blue Jays continue their season-high five-game winning streak, which has been fueled by the 35-year-old switch-hitting slugger’s power burst.

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This is Nate Freiman’s third post as part of his August residency. Nate is a former MLB first baseman. He also played for Team Israel in the 2017 World Baseball Classic and spent time in the Atlantic and Mexican Leagues. He can be found on Twitter @natefreiman. His wife Amanda routinely beats him at golf. To read work by earlier residents, click here.

One of my favorite people in baseball is Tom Tornincasa. He was my hitting coach in the Double-A Texas League in 2012. Apart from being a great coach, he kept the clubhouse loose. Ask anyone who played for him; they’ll know what I mean.

At about 6:50, we’d be stretching on the foul line, and he’d walk out with his notebook.

“Straily.”

That was the start of our advance scouting meeting.

“Ninety to ninety-four, slider, changeup. Sixty percent fastball, thirty percent slider.”

Dan Straily led the minor leagues in strikeouts that year, spotting his fastball to both sides of the plate and mixing in an almost unhittable slider — unhittable in that it was un-layoff-able — that he’d throw in any count. He was in the big leagues that September.

“One more thing. He sucks.”

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