It’s Time for Adley To Come Home for Christmas

The other night, I had pie for dinner and watched a Hallmark Christmas movie (HCM). It was a solid hang, and I thoroughly enjoyed myself. On a night when my brain felt like mashed potatoes and my body refused to accept that it was 7:00 p.m. and not 11:00, I warmly welcomed the sugar rush, in both the literal (pie) and figurative (HCM) sense.
Despite the pleasantness of the evening, I do not intend to adopt an all-dessert diet and swear off the movie theater. I might make it three days before becoming so starved for substance that my mind and body start acting out a horror movie in rebellion. While sugary sweets and romcoms provide enjoyment, they lack staying power.
Which naturally brings me to Adley Rutschman and the Orioles. Rutschman currently stars in an HCM, written and produced by the Orioles’ front office and ownership group, in which he attempts to woo O’s fans and save Christmas (aka their postseason aspirations). Adley receives support from a promising ensemble cast, but their inexperience shows in their performance, particularly when asked to stretch their ability for an intense scene during the movie’s climax. Meanwhile, the story’s B-plot (starting pitching) felt a little thin, like they might need to resort to a cringy musical number to fill time, and the C-plot (bullpen) started out as a bright spot to relieve tension but threw a surprise twist in the mix that went unresolved. Read the rest of this entry »





