Game 7 Memories: The Joy of Baseball Silences the Foghorn
There will be no Game 7 this year. We’ve only had two in the last five World Series, so it’s far from a safe assumption. I attended a pair of them during my time with the Astros, including the last World Series (and Houston) game I went to, just over two years ago: Game 7 in 2019. It was a miserable experience at the time, and only exacerbated by the things to come, both publicly and privately. At the same time, the last two minutes of the game reinforced my love of baseball.
The World Series is incredibly stressful for teams, and that stress is magnified greatly by the time one reaches the finale. Between exhibition games, the regular season, and the playoffs, teams are approaching their 200th game of the year, and with all of that, it still comes down to nine innings. Win the game, and your team is part of history. Lose, and you are little more than the answer to a trivia question.
The stress of the day is overwhelming, and it feels like game time will never arrive. My wife, who had been traveling with me since Game 3, decided to drag me away from my nervous energy by finding an afternoon movie to help distract from the importance of the evening to come and pass the time before we headed to the ballpark. She suggested something popular on the indie film scene at the time: Robert Eggers’ The Lighthouse.
If you know the film, you are likely already laughing at the thought of it serving as a stress reliever. While it is quite excellent, it’s a claustrophobic, incessant doomfest about a pair of lighthouse workers, isolated during a storm, as they spiral into insanity, or maybe just more into insanity, given that they arrived there already well on their way.
Beyond striking visuals and a pair of incredible performances from Willem Dafoe and Robert Pattinson, what stands out most about The Lighthouse is the sound design, which is among the most memorable I can think of. Sound plays a massive role in the film; the music and ambient noise are constant and always foreboding, but the most iconic sound from the film is a frequent foghorn (as heard in the beginning of that trailer) that acts as an indicator of things ramping up. That foghorn stays with you, and it still enters my headspace at times of high stress.