Dylan Cease, Tyler Duffey, and Buck Farmer on How They Crafted Their Curveballs
Pitchers learn and develop different pitches, and they do so at varying stages of their lives. It might be a curveball in high school, a cutter in college, or a changeup in A-ball. Sometimes the addition or refinement is a natural progression — graduating from Pitching 101 to advanced course work — and often it’s a matter of necessity. In order to get hitters out as the quality of competition improves, a pitcher needs to optimize his repertoire.
In this installment of the series, we’ll hear from three pitchers — Dylan Cease, Tyler Duffey, and Buck Farmer— on how they learned and developed their curveballs.
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Dylan Cease, Chicago White Sox
“I first learned a curveball when I was 12 or 13 years old. I think a coach probably taught me, but it’s tough to say that far back. I do know that I didn’t throw a whole lot of curveballs back in the day; it was mostly fastballs.
“When I got to pro ball, it took me… I really didn’t know anything about how to throw one. I had to figure out how to throw it like a fastball, how to get it to stay on a fastball plane, how to throw it with arm speed. At first I wanted to baby it. It kind of had a loop in it. I needed to work on things like the shape, and how it came out of my hand.
“It was a regular curveball until last year when I got to Double-A and changed to a knuckle curve. I was talking to Dane Dunning. I liked the shape of his curveball. I said, ‘I feel like mine is a little loopy; how do you do that?’ He showed me his knuckle curve grip, which I’m pretty sure he got from James Shields — indirectly from James Shields — and throwing it like that added a bunch of extra spin and drop. Read the rest of this entry »