Sunday Notes: Red Sox Prospect Mike Shawaryn Bebops, Blows Away Hitters
Mike Shawaryn hadn’t put much thought into it. Finger pressure is instrumental in his success, both as a pitcher and as a musician, but how the two intertwine isn’t a subject he’d addressed. Not until I broached the subject this winter.
A 22-year-old right-hander out of the University of Maryland, Shawaryn is one of the top prospects in the Red Sox system (Baseball America has him No. 8; Eric Longenagen expects to rank him similarly when he puts together his forthcoming Red Sox list). Displaying a power arsenal, he fanned 169 batters in 134-and-two-thirds innings last year between low-A Greenville and high-A Salem.
When he’s not blowing away hitters, Shawaryn is playing the piano and the saxophone — and he’s a neophyte with neither. Boston’s pick in the fifth round of the 2016 draft has been tickling the ivories and blowing on a sax ever since his elementary school days in South Jersey.
Both instruments require dexterous fingers. Ditto pitching, where you’re gripping and releasing an object whose movement is influenced by the placement of digits on seams. Is there a direct correlation?
“I’ve never really thought about it like that, but the feel of the ball in your hand is obviously important,” Shawaryn said after first contemplating the idea. “Now, kind of connecting the dots, I’d say it’s the piano more so than the saxophone. The pressure you put on the keys determines the sound of it, the shape of the music. That’s probably helped me develop a type of feel in my fingers for the seams on the ball — what fingers I need to put pressure on to influence the shape of a pitch.”
And then there are rhythm and tempo. Pitchers change speeds within an at bat, and musicians change speeds within a song. Read the rest of this entry »