Angel Hernandez is not considered a particularly good umpire. He’s been called, unironically, the worst umpire in Major League Baseball. Ian Kinsler said last year that Hernandez “needs to find another job, he really does.” And Kinsler’s not alone.

Players in both the American and National League voted Hernandez one of the game’s three worst umpires. (In case you’re wondering, Joe West was worse in both leagues.) So why is Hernandez considered so bad at his job? He’s probably most famous for incorrectly calling this a double instead of a home run back in 2013.

But there’s more to Angel Hernandez than blowing home-run calls. His calls at the plate aren’t great either. And his strike zone tends to be, shall we say, creative.

Like in this instance:

And this one:

And this one, from the World Baseball Classic:

So it’s not surprising that Hernandez has made an appearance or two in Jeff Sullivan’s “worst calls” series.

Per the rulebook, of course a strike is a strike because the umpire says it is. This is the Marbury v. Madison of baseball. But the rulebook also says a pitch is a strike based on the umpire’s discretion within certain guidelines; it doesn’t say that a pitch is a strike because the umpire feels like it. It seems like calling these pitches strikes would be an abuse of discretion; that is, not reasonable. And yet Hernandez, to the bewilderment of some, still has his job.

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Ben Lindbergh and Jeff Sullivan banter about Ben’s excursion to a Helena Brewers game, Matt Davidson‘s relief excellence, Juan Soto‘s historic performance, Kole Calhoun‘s resurgence, the A’s acquiring Mike Fiers, Mike Trout’s 27th birthday, and more, then (25:14) talk to former big leaguer (and former live guest) Fernando Perez about the 10th anniversary of the 2008 Rays, how coaches can hurt or help a player’s professional experience, and what’s right and wrong with baseball broadcasting, marketing, and analysis.

Audio intro: Jason Isbell, "Traveling Alone"
Audio interstitial: ABBA, "Fernando"
Audio outro: Hank Williams Jr., "Montana Song"

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While the AL East race appears to have tilted decisively towards the Red Sox over the past five weeks, an even more dramatic turnaround has taken place in the AL wild card race over an even longer timeline, one involving the Mariners and A’s. This one has yet to be decided, which is good news, because it’s practically the last race standing in the Junior Circuit.

Through June 15, the Mariners were running neck-and-neck with the Astros despite a massive disparity in the two teams’ run differentials, a situation that — as I had illustrated a few days earlier — owed a whole lot to their records in one-run games (22-10 for Seattle, 6-12 for Houston). The A’s, though solidly competitive to that point, were something of an afterthought, far overshadowed by the Mike Trout/Shohei Ohtani show in Anaheim:

On June 16, despite placing Matt Chapman on the disabled list with a contusion on his right thumb, the A’s, who had lost to the Angels 8-4 the night before, kicked off a five-game winning streak, taking the two remaining games of the series that weekend, then two from the Padres at Petco Park and the first game of a four-game set against the White Sox in Chicago. Though they merely split a four-gamer on the South Side, they swept four from the Tigers in Detroit, sparking a six-game winning streak that also included two victories at home against the Indians. Remarkably, they’ve strung together two separate six-game winning streaks since then, as well, one against the Giants (a pair of walk-of wins) at home and the Rangers in Arlington from July 21 to 26 and then another from July 30 through August 5 at home against the Blue Jays and Tigers. Alas, that one ended on Tuesday night against the Dodgers.

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I love pitching. Perfection on the hill is an amalgamation of ability, strength, stamina, philosophy, execution, and tactics, where every pitcher is uniquely assembled in a sea of talent. Some have blistering heat, some a variety of breaking pitches, and others are masters of approach and execution. We often find similarities in their numbers, but the means by which they arrive at those numbers can vary wildly. An understanding of how a pitcher attempts to prevent runs is essential to better understanding the what of his results — and that can most easily be grasped by simply watching him hurl a baseball.

Exactly how one observes a pitching performance can determine a lot about the sort of conclusions one can reach. I’m in the camp that believes there’s a significant choice to be made between watching a game on TV or at the stadium. If the purpose of the evening is to share an emotional experience with thousands of others, then obviously the ballpark is the only real way to facilitate that. If I’m trying to grasp a game’s flow, observe generals manipulating their troops on the fly, and truly grasp how each player is performing on a given night, however, I need the live broadcast. There is no substitute.

With the latter, there is the understated advantage of sitting down and respecting the craft of your team’s daily slinger: the presentation of the game itself. If I want to marvel at the horizontal ride of Aaron Nola’s changeup, I’m hoping he’s playing at a stadium that gets right behind the ball at release. Or maybe I’m curious how much depth Miles Mikolas gets on his curveball. If he’s in Oakland, well, it just isn’t my night.

So today, we’re going to talk about camera angles. Carson Cistulli put together a fantastic ranking back in 2015, showcasing which stadiums were best to watch a pitcher do his thing. Which broadcasts allowed us to see the movement on pitches, their true locations, and exhibit the game for the best eye test possible.

I’ve made thousands and thousands of pitching GIFs in my day (it’s what happens when you run PitcherList.com) and I’m honored to present my personal ranking of camera angles to update Carson’s former piece. I’ve grouped broadcasts into five tiers, showcasing which camera angles are best to observe a pitcher’s arsenal and illuminate what is truly happening on the field.

There is one major issue when making this list that I need to address. These ranks — well, they aren’t exactly consistent across all pitchers in the majors. Not only does the throwing arm of the pitcher matter, but also where he stands on the rubber greatly affects the presentation of a pitch. Let me give you an example. Here is the Milwaukee Brewers’ broadcast:

This looks incredible, right? Straight on camera, not too elevated, but not so low that fastballs look like breaking balls. Now let’s look at three different pitchers:

I think you can see the problem. With the first two, the Brewers create one of the best experiences out there. You can see the subtle ride on Anibal’s heater with clarity and the fade on Brent Suter‘s changeup enough to nod your head in approval. However, I’m sorry to say that Corey Knebel’s fastball does not have six feet of cutting action. It’s an illusion.

Keep this in mind as we go through these tiers. Some of these angles are the perfect balance for all arms. Some of these angles are better than others for certain pitchers. And some are flat out horrible and need to burn in a fire.

I wanted to create as best of a control group as possible when jumping between each stadium’s angle, which led me to choose four different relievers to showcase each broadcast. Our heroes are as follows:

• Archie Bradley
• Blake Treinen
• Edwin Diaz
• Jeremy Jeffress
• Gerrit Cole (Just for Houston. Don’t ask.)

I elected to mostly feature the same pitch with each, save for a few exceptions, to help give you an idea of how each broadcast displays the same pitch. Edwin Diaz has a slightly different windup and rubber location than the rest, which I wanted to include for the sake of showcasing how some camera angles can be better for different arms.

That’s enough of an introduction, let’s get to it.

Tier 1: The Models of Excellence

Whenever I want to enjoy a pitcher — really enjoy him — I try to find a game at one of these stadiums. They have the right amount of zoom, are slightly positioned off center to the right, preventing the pitcher from blocking part of the view, while also preventing the cataclysmic “horizontal illusion” that I previously described with regard to Knebel’s fastball. If only all stadiums had the capacity to place their cameras in the same locations.

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The A’s occupy one of the AL’s two wild-card slots, and the other day they picked up Mike Fiers. They’re about to use him out of the rotation. I tried — I promise — to come up with some kind of Mike Fiers article, but I couldn’t do it. I didn’t think it would be interesting. The A’s added a below-average starter, but, into the rotation he goes. That might be the real story here, how the A’s have gotten where they are despite a patchwork rotation that no one expected. The A’s have given Brett Anderson nine turns. They’ve given Edwin Jackson — literally Edwin Jackson — eight turns. Fiers probably will help, if only for the fact that he can reliably pitch. The group he’s joining appears paper-thin.

Which isn’t to suggest that I don’t think much of Sean Manaea. Manaea, at least, has been a familiar constant. But there’s a surprise in here, too, a guy without whom the A’s would be struggling. Contact rate measures bat-to-ball contact per swing attempt. The lower the contact rate, the better a pitcher is at generating whiffs. I looked at every starter this year with at least 50 innings. The guy with the lowest contact rate allowed is Chris Sale. In second is Patrick Corbin. In third is Max Scherzer. In fourth is Trevor Cahill. The A’s signed Cahill for $1.5 million in the middle of March, seemingly as a response to losing Jharel Cotton. Cahill’s started 13 times, and he’s ended up an absolute bargain.

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Episode 827
Meg Rowley, managing editor of The Hardball Times, discusses not only (a) the rules of the game but also (b) how much fretting is appropriate over those rules — both for commissioner Rob Manfred and for private citizens at their homes. Also: how the Maginot Line — that is, a line of fortifications built by France on its border with Germany between World Wars — might or might not help us answer that question.

Don’t hesitate to direct pod-related correspondence to @cistulli on Twitter.

You can subscribe to the podcast via iTunes or other feeder things.

Audio after the jump. (Approximately 51 min play time.)

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This contributor is not a supporter of baseball’s Wild Card game format.

While efforts to make a division title more meaningful are sensible and logical and while the addition of another team to the playoff field keeps more teams involved and fan bases invested during the regular season, the issue for me and many others is its one-game format. While a single play-in contest artificially creates drama and is a fun made-for-TV, web-streaming event, the notion that a team can compile a 100 wins over a season-long marathon only to fall in a single game borders on the absurd.

While the postseason is in many ways a different game from the regular season, one defined by small samples, the Wild Card raises legitimate questions about fairness (a point recently addressed by Craig Edwards) and the purpose of October baseball.

Had the Yankees lost in the AL Wild Card game last year, I suspect we would have heard much more said about revamping the system. Well, we might hear about it this next offseason. After being swept by the Red Sox over the weekend, the Yankees are almost assuredly headed to the Wild Card game again despite being projected to win 100 games. The Red Sox are on pace to win 108.

The Red Sox opened play Monday with a 91.4% chance of winning the divisions, with the Yankees at 8.6%. Entering the weekend? Those figures were at 76.6% and 23.4%, respectively. It was a devastating weekend for New York. While the Yankees could still conceivably win the division, it’s unlikely. The Yankees, the No. 3 team in baseball and the American League in run differential and 19 runs better than the No. 4 team (the Indians), are likely destined for a play-in game.

While not all fans of the sport will feel much sympathy for a club situated in baseball’s largest market, with the most flags currently flying forever, winning 100 games only to end up in a winner-take-all game doesn’t exactly seem to be in line with the most meritocratic of practices.

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Language is rich with words and terms that recognize the contributions of historical figures. This can be a good thing, but also a bad one, depending on what’s being commemorated. You’d rather go down in history as the namesake of a popular sweater (like James Brudenell, 7th Earl of Cardigan) or a certain type of legal protection (Ernesto Miranda) than for those traits by which Nicholas Chauvin or Ned Ludd are best remembered. In baseball, former utility infielder Mario Mendoza belongs to the latter category. Thanks to some creative but cruel teammates on the 1979 Mariners, Mendoza’s name has become synonymous with hitting futility. To fall below the Mendoza Line is to record a batting average below .200.

For a hitter both to qualify and to finish below the Mendoza Line actually represents a notable feat of ineptitude. One must not only fight the influence of the Regression Gods attempting to pull the hitter into the respectable company of the .200s, but also to play sufficiently well otherwise not to lose his job. It’s something Mario Mendoza himself never actually even achieved, coming closest in the black-magical 1979 season, but falling short due to manager Darrell Johnson’s mercy: Mendoza was frequently pinch-hit for in his third time up, was pinch-hit-for five times in his second plate appearance, and lost significant playing time to Larry Milbourne late in the season.

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