The phrase outer space has been around since 1842, but I’ve always thought that it’s a strange one. Space is the catchall word we use for any empty area. It’s a little bit silly that someone looked up at the unknowable vastness of the universe and decided to refer to it in the same way you’d describe a spare bedroom to a friend who needs a place to crash. Either way, there’s plenty of space out there. There’s space between planets and space between galaxies. Cosmic voids, the vast empty spaces between gravitationally linked galaxies, make up more than 80% of the universe.
Saturday was Space Night at LECOM Park in Bradenton, Florida. While Paul Skenes was dazzling a packed house in Pittsburgh, the Bradenton Marauders, the Pirates’ Low-A affiliate, held a stargazing session after the game and played “Space Oddity,” “Man in the Moon,” and “Mr. Spaceman” over the PA between innings. Staff members wore NASA flight suits. On the field, the Marauders overcame a two-run deficit to beat the Port St. Lucie Mets, 4-3, extending their winning streak to nine games. Also on the field: a turtle.
In the top of the second inning, with a 1-2 count on leadoff batter Yohairo Cuevas, the home plate umpire called time out and turned his head toward left field. It took a while for the rest of the heads in the park to follow, but when they did, they were rewarded with a show. A turtle roughly the size of home plate walked into left field as a defensive replacement. The human outfielders wanted no part it. Center fielder Sergio Campana gently pushed his teammates toward the turtle, and as they cautiously approached it, the turtle started hauling shell toward center field. Left fielder Esmerlyn Valdez waved to the bullpen for help. Eventually, reliever Magdiel Cotto jogged out, hoisted the creature from behind, and hauled it back to the bullpen. The whole saga lasted just over a minute, or as Reptiles Magazine put it, “Turtle’s Minor League Debut Short-Lived.” Read the rest of this entry »
Statcast releasedbat tracking data to the general public this week, and having looked at the numbers in full, it’s hard not to have Giancarlo Stanton on the brain. It’s also hard not to have some mixed feelings about the gargantuan slugger. His power is awe-inspiring, whether it results in line drives that the cameras have trouble keeping up with, casual bombs that touch the clouds, or (and this is my personal favorite) the 121-mph quarantine-era blast that went along with one of the loudest expletives uttered on television in baseball history:
Below is an analysis of the prospects in the farm system of the Chicago Cubs. Scouting reports were compiled with information provided by industry sources as well as our own observations. This is the fourth year we’re delineating between two anticipated relief roles, the abbreviations for which you’ll see in the “position” column below: MIRP for multi-inning relief pitchers, and SIRP for single-inning relief pitchers. The ETAs listed generally correspond to the year a player has to be added to the 40-man roster to avoid being made eligible for the Rule 5 draft. Manual adjustments are made where they seem appropriate, but we use that as a rule of thumb.
A quick overview of what FV (Future Value) means can be found here. A much deeper overview can be found here.
All of the ranked prospects below also appear on The Board, a resource the site offers featuring sortable scouting information for every organization. It has more details (and updated TrackMan data from various sources) than this article and integrates every team’s list so readers can compare prospects across farm systems. It can be found here. Read the rest of this entry »
Clarke Schmidt has a thing for spin. This season, there are only 14 breaking pitches in the entire league that average 3,000 rpm or more; Schmidt throws two of them. To find another South Carolina alum with such mastery of spin, you’d have to go all the way back to Andrew Card, who was George W. Bush’s chief of staff during the lead-up to the Iraq War. Schmidt’s breaking balls would fit perfectly in a turn-of-the-century alt-rock milieu, alongside the Spin Doctors, or Lifehouse’s “Spin,” or the Goo Goo Dolls’ Dizzy Up the Girl.
Baseball Savant recently started publishing bat tracking data, and the public sabermetric community is currently working out what this new avalanche of dataactually means. So it was in the early days of spin rate: How much is too much, and how little is not enough, and how does it vary pitch by pitch? It took a minute to actually sort this stuff out, and as ever, the characteristics of a pitch don’t matter very much if it’s poorly located.
For example: Last year, Schmidt spent his first full season in the Yankees’ big league rotation. And he was fine. His ERA was 4.64, his FIP 4.42. Even though he achieved that vanishingly difficult feat of starting 32 games and throwing 159 innings, he was only a 1.8 WAR pitcher on the season. Opponents hit .265 against him, and his two outrageous breaking pitches landed him smack dab in the 50th percentile for breaking ball run value. Read the rest of this entry »
The bat tracking era is here, and nothing will ever be the same again. Wait, no, that’s not right. Baseball is going to continue pretty much exactly as it was. Pitchers will throw the ball, hitters will swing at it, and then people will run around the field either trying to catch it or touch bases. But baseball analysis is going to start looking different, because we analysts have new shiny toys and a plethora of new ideas to test out. That’s very exciting, and also possibly a little overwhelming. So today, I thought I’d take you on a tour of what the high-level summary numbers do and don’t say about hitting, as well as stump for more granular analysis. I’m sure I’m not alone on either of those points, but still, it’s good to say it out loud. So let’s talk about average swing speed, average swing length, squared-up rate and blast rate, shall we?
There’s no way to say this without sounding snarky, so I’m not going to try: The Oakland A’s, who were supposed to be abysmal, have shocked the baseball world by being merely mediocre. They’re in third place in the AL West, with a full series’ worth of buffer between them and their pursuers. The Angels are suffering the mother of all post-breakup hangovers, and it appears that the Astros have finally been caught by Mephistopheles. Reports say a sinister-looking goateed man has been seen pounding on the door to Minute Maid Park, saying, “I gave you your two World Series, now I’m here for your soul!”
Nothing gold can stay.
The key — or at least one key — to Oakland’s surprising ascent to averageness has been a superb bullpen. Closer Mason Miller has grabbed most of the headlines; some people are saying he’s the best reliever in baseball now. I don’t know if that assertion will hold up over a full season, but the hyperbole will continue until the FIP doesn’t start with a minus sign.
Miller’s emergence has sucked up all the air in the room — insofar as there was ever a ton of air in the room for discussing Oakland’s bullpen — to the detriment of his teammates. So I wanted to highlight Lucas Erceg, who’s been very good this season, and is also kind of weird.
The first thing to know about Erceg is that he was, until very recently, a third baseman. As a sophomore at Cal, Erceg hit .303/.357/.502 with 11 home runs in 57 games, but was ruled academically ineligible the following season, which kicked off a circuitous path to the majors. First: A year at NAIA Menlo College, alma mater of former MLB… standout is probably too strong a word, even if he won a World Series and made an All-Star team… Gino Cimoli. Erceg went in the second round to Milwaukee, becoming Menlo’s highest draft pick ever in the process, and slowly worked his way through the minors with a series of unremarkable batting lines.
In 2021, the Brewers gave Erceg, who’d pitched occasionally at Cal, a shot as a reliever, and by that summer he was good enough to get an honorable mention on Milwaukee’s prospect list. (Even if it was only one sentence in a section labeled “Arm Strength.”)
In 2023, the A’s — who have had some success with converting college infielders into relief pitchers, or who at least brought Sean Doolittle through — purchased Erceg from Milwaukee. This furthers my long-held belief that everyone who plays for the Brewers will one day play for the A’s, and vice-versa. We’d save a lot of hassle by merging the two franchises and having them play on a barnstorming circuit called the John Jaha Highway.
But I digress.
Erceg’s surface stats look pretty pedestrian right now, but about half of his 3.38 ERA comes from one three-run blown save against the Rangers on May 6. At the end of April, he was on a run of nine consecutive scoreless appearances, the last eight of which were also hitless. It’s not as impressive as a hidden perfect game, but Erceg did throw a hidden no-hitter (with 13 strikeouts and three walks on 120 pitches) from April 11 to April 30. I regret not getting to this topic two weeks ago, because I would’ve hammered the “more like Lucas Goose-egg” joke until you all started sending me rotten vegetables in the mail.
Puns and unusual development plan withstanding, there are two things I want to highlight about Erceg: His unusual repertoire and the significant step forward he’s made in missing bats from last year to this year.
As you might expect from a conversion project, there are elements of Erceg’s game that might be considered crude. He’s a hard-throwing one-inning reliever, to start, and even after taking a substantial step forward in this department, his walk rate this year is 11.9%. That’s in the “survivable, but not ideal” bucket for a pitcher, even a reliever.
Nevertheless, Erceg has a legitimate four-pitch repertoire. And this isn’t some fastball-slider guy who has a show-me curveball and a changeup he occasionally throws to opposite-handed batters. He throws four pitches between 18.9% and 30.5% of the time, and while he has specialist offerings to both righties and lefties, he throws his four-seamer and slider against everyone, giving him a three-pitch repertoire against any opponent.
There are 15 pitchers this year who qualify for Baseball Savant’s leaderboards, throw at least four pitches 15% of the time, and have no more than a 20-percentage point spread between their most-used pitch and their least-used pitch. (Erceg’s spread is 11.6 percentage points, the third-lowest of his cohort.) Of those 15 pitchers, 10 have thrown most or all of this season out of the rotation. That makes sense, because the more times a pitcher goes through the lineup, the more pitches he needs.
Here are the five relievers, with the number of pitches they throw, the spread between their highest and lowest pitch usage rate, and the average velocity of their hardest fastball. (Hardest, because all five of these pitchers throw at least two types of fastballs.)
These guys aren’t soft-tossers — Brent Suter came up in the net I originally cast before I narrowed the parameters some — but Erceg is on a different planet, velocity-wise. His changeup is averaging 91.4 mph, which is just 0.3 mph slower than Farmer’s sinker. That changeup is getting knocked around — five of the seven extra-base hits Erceg has allowed this season have come off the changeup, including his only home run — but it’s also missing bats at a rate of 37.5%.
In fact, I’m going to combine arbitrary-endpoint theater and small-sample-size theater to give you a fun fact: Through the weekend, only three pitchers in baseball were running whiff rates of at least 28% on four different pitches they’d thrown at least 49 times: Zack Wheeler, Pablo López, and Erceg.
Now to the really fun part. Erceg has experienced a massive uptick in chase rate, from 23.2% to 31.0%, while at the same time lowering his in-zone swing rate from 62.9% to 56.1% and his in-zone contact rate from 79.3% to 67.2%.
In other words, hitters are swinging less at pitches in the zone, and when they swing they’re not making as much contact. And simultaneously they’re chasing pitches a third more than they did last year. It’s not immediately clear to me why this is happening; Erceg’s in-zone rate is down a couple percentage points, and while his overall opponent swing rate is up, it’s by about two swings at this point in the season. That’s nothing.
As with any reliever performance before the All-Star break, it bears monitoring before we start to count on it going forward. But for now, Erceg is getting whiffs on four different pitches, and is one of the best relievers in baseball both at missing bats and avoiding hard contact. Not bad for a converted infielder, and at best the second-most important reliever on the Oakland A’s.
For years, Statcast cameras (and before that, radar systems) have captured reams of data about every single play in every single major league game. We know not just the speed of a pitch, but its release point in three dimensions, where it crosses the plate, and the spin imparted on the ball. When a hitter makes contact, we know how fast the ball is moving when it comes off the bat, as well as the angle and the exact place it lands in (or out of) play. But there’s one thing we haven’t seen publicly – until now. Baseball Savant has released bat tracking data to the public, and it’s an exciting time to be analyzing hitters as a result.
The Statcast team was kind enough to provide us with an early look at things. So while you’re playing around with the new leaderboards and reading this excellent article by Mike Petriello that breaks down how this new data works, I wanted to give you a few early observations of my own, to spark some discussion and hopefully make you as excited about this new treasure trove as I am.
First things first: You’re going to love squared-up rate. You can think of this as a mathematical way of describing Luis Arraez. For a given swing speed and a given pitch speed, there’s a maximum possible exit velocity. That’s essentially what you’d get if you hit the ball on the sweet spot exactly on plane. If you’ve ever swung a metal bat, you know what this feels like. Statcast considers a ball squared up if its actual exit velocity is at least 80% of its maximum theoretical exit velocity. In other words, it measures whether you caught the ball flush. Read the rest of this entry »
Your local beat reporter has the power to shape the way you see your favorite team. Day in and day out, it’s their voice delivering the good news and the bad, telling you what’s happening on the field and in the locker room. If you’re lucky enough to love a team with a good beat writer, it can absolutely deepen your relationship with the sport. A reporter might become required reading because they write beautifully, make you laugh, really know the game, ask good questions, or build great relationships with the players. If you don’t have a good beat writer, it’s easier to drift away from the team, and even the sport. They matter quite a bit, is what I’m saying. Despite that fact, beat reporters are rarely the focus. For all they mean to us, we don’t even see their faces all that often. Most of the time, all we see of a beat reporter is a disembodied hand holding a recording device (or, as in the picture below, the very tip of their nose).
It’s a complicated job. It requires knowledge of the game, constant creativity, tight deadlines, long hours, travel, and the ability to forge good relationships with players despite the fact that you sometimes have to stick a recorder in their face and ask, “So what was going through your mind when you made the error that cost your team the game?” In order to learn more about what the job actually entails, I reached out to Andrew Golden, who took over as the Washington Post’s lead beat writer covering the Nationals this season and has been on the beat for a few years.
Although he’s barely three years out of college, Golden’s credentials are imposing. In high school, he played baseball and wrote about sports for the school paper and for a blog he ran with some friends. He double-majored in journalism and African American studies at Northwestern, where he covered sports for the student newspaper, the Daily Northwestern, earning internships at the Kansas City Star, Chicago Tribune, and Washington Post. The Post internship came immediately after graduation, and he was hired full-time when it ended. Golden had spent three months covering the Washington Commanders and another three covering various sports when an editor asked him if he’d like to cover the Nationals, working with the lead beat writer at the time, Jesse Dougherty.
“I always loved baseball,” he told me. “It’s my first love, and so l hoped at some point I could cover it. I just didn’t think it would happen the way that it did.” He joined the club during the last week of Spring Training in 2022. “To go from helping out with Navy basketball coverage to then suddenly you’re in the clubhouse and you see Juan Soto and Josh Bell, it was very much a culture shock… I don’t think I talked to Juan Soto for the first month, I was so starstruck.” When I spoke to Golden last week, he took me through the nuts and bolts of the job, and humored me when I asked questions like whether it was possible for a beat reporter to be an introvert.
For Golden, 24, a normal day on the beat starts at 9 a.m., earlier if it’s a Sunday. The first thing he does is go over the previous day’s game. “I typically like to look back at the night before and see the big trends,” he said. “Obviously, when you’re writing on deadline, there are certain things that you might miss because you need to type or something happened in the late innings that maybe you missed. So I typically like to go back and look at the night prior and do some studying… I go back and look at Baseball Savant. Does anything stand out? Did this pitcher utilize one pitch more than he normally does? Those sorts of things. What trends did I miss?” He’ll also catch up on the previous day’s news at each level of Washington’s farm system and read whatever might have been written about the Nationals or their players from other news outlets. For the first of several times throughout the day, he’ll consult with his editors about what he’s working on now and what he might work on next.
Most importantly, he’ll research and write. In addition to writing game stories, beat reporters write everything from statistical deep dives to profiles of coaches and players to breaking news about the business side of the game. At 5:12 on Friday morning, the Post published an article Golden wrote about how Trevor Williams has succeeded by using his four-seamer less often. On the day we spoke, he mentioned that he was researching Luis García Jr.’s recent success at the plate. If all that sounds like a lot, well, it is. Later in the interview, I had to circle back and make sure that I understood the logistics of, specifically, at what point of the day Golden has time to do normal person things like go to the store. The answer: whenever he finishes all of the work above. “I get normal things done,” he laughed. “There is that free time, that flexibility during the morning, definitely. I promise I have groceries in my fridge.” For that reason, he dreads 4:00 p.m. games, which don’t leave time to do anything either before or afterward. “I love 1 o’clock games or 7. You know you’re going to have the front or the back end free, but 4 o’clock is right smack in the middle.”
It’s not always feasible, but for a typical 7 p.m. game, Golden prefers to get to the ballpark at 1:45. The clubhouse opens to reporters at 3, and until then he writes down questions he’d like to ask and keeps an eye on the field. “I like to be there early. Sometimes you’ll see a guy on the field doing something and it might pique your interest.” At 3, he goes down from the press box to the clubhouse. “It’s open for 45, 50 minutes, so that’s your time to talk to players, talk to front office people if they’re there, talk to whoever’s around.” Reporters are only allowed in certain parts of the clubhouse. Places like the kitchen, training room, and bathroom are off limits. Some parts Golden has never seen even once. “There’s two sections,” he said, “an office area and a coaches’ locker room area where we’re not really allowed. And there’s a back section we’re not allowed either, and I truly can’t tell you what’s back there.” Manager Davey Martinez talks to reporters at 4, and after that reporters go on the field to watch batting practice.
“You can still get players then if you want,” he explained. “If you can grab them coming off the field, that sort of thing. That’s typically when I like to talk to Darnell Coles, the hitting coach. The hitting coach is really busy, but I always know that he has to come off the field and walk past me, so I can get him when he’s coming off the field.” Golden laughed as he said the last part, but he explained that learning each player’s routines and figuring out how to be in the right place at the right time is actually a crucial part of the job. “I think that’s one of the things about the beat that people don’t realize. There’s definitely a rhythm to how things go. You know the relievers will always be around because they’re not doing a ton of prep work before the game… But starting pitchers are rarely around because they’re obviously going through their whole routine to get ready. And the hitters are kind of hit or miss. It depends on when they go to the cage and what their routine is. That’s one thing I didn’t know early on, like, ‘Oh, I want to talk to Josiah Gray.’ And Josiah was figuring out his routine and going through his stuff, and I was like, ‘Man, why is he never here?’ You have to kind of give these guys these moments and try to figure out what their routines are, and you build around that.”
Once batting practice is over, reporters return to the press box to eat dinner before the game. For a night game, Golden’s 700- to 800-word game story is due when the final out is recorded, which means that he’s taking notes and writing throughout the game, then rewriting when new developments come up. “That was an adjustment too,” said Golden. “When do you start writing? Because obviously things can change. If somebody hits a go-ahead home run in the eighth inning, it can completely flip your story… Sometimes it just takes time to kind of develop that muscle and learn how to do that. I think that was a struggle at first, but then it starts to get a little bit easier, it starts to come to you a little more naturally.” Many beat writers also tweet the play-by-play throughout the game. Here’s a sample of Golden’s Twitter feed during last Wednesday night’s 12-inning affair between the Nationals and Orioles. Luckily for him, colleague Spencer Nusbaum was in charge of the game story that night.
As soon as their stories have been filed, reporters head back down to the clubhouse to hear from players and coaches again. “While we’re down there, our editors are editing the story,” said Golden. “And then we’ll come back up, and then we’ll add quotes in, and that’ll be the final story. So it’s probably an hour between when I file the first one and the second one.” At that point, the reporters finally get to go home or to their hotel, unless it’s getaway day. Golden generally prefers to go straight from the ballpark to the airport so that the next day, he can wake up in the city where he’ll be covering the game. I stammered a bit after Golden finished walking me through a normal day on the beat. It was a lot to take in. “So, so that’s — I mean, that’s a long day,” I said. “Yeah,” he said, laughing. “It is a grind. I’m sure people kind of know that, but I don’t think they know the extent. I mean, I have friends who are like, ‘Well, the game starts at 7. Don’t you get there at like 5:30?’”
It’s a grueling job: a month away from home during spring training, then a six-month-long season of days like the one described above, half of them on the road, with few days off. Knowing that, I asked Golden whether my impression of the beat writer demographic was correct. I’d noticed that beat writers tend to be either very young reporters or veterans who have been doing it forever because they’ve found a way to balance the lifestyle. “Yeah, that’s absolutely correct, at least from what I’ve seen,” he said. “I remember somebody telling me when I started, ‘Yeah, this is a job that you have when you’re single and have no kids’… You do it when you’re young, because it’s easier to manage a 162-game season when you don’t have all those other responsibilities, families, all that stuff.”
Golden recently got engaged, and the quirks of his job have been a part of the relationship from the very beginning. His first date with his now-fiancée was supposed to take place on the first Sunday of October 2022, but the Nationals and the Phillies needed to play four games in three days, all of them rain-soaked because a hurricane was bearing down on the east coast. Golden was texting her throughout the weekend, trying to explain the scheduling and scoring arcana that would determine whether he could make it or whether they’d need to reschedule. “It’s hard to explain how ridiculous it is. I’m trying to explain to her… we just have to get to the fifth inning and then we’re good. She’s like, ‘Why do you only need to get through half a game?’ There are so many things about baseball that we think are so normal that actually are not normal to normal people.” To make the grind more manageable, he now sends his parents and his fiancée an email every month with his entire travel itinerary, down to the flight numbers and hotels.
Golden mentioned another challenge to working the beat for an extended period of time: finding new ways to tell the same story. “I think when you first get started on the beat, everything feels new,” he said. “Coming up with ideas can be challenging when you’ve written stuff before. Trying to think, ‘How can I make this new?’ or ‘How can I make this different from before?’” As with any job, some days are harder than others. “There are some days where you just don’t have it. There’s just some days where you’re tired, you just got off a plane this morning and you drove to the stadium. And it’s day eight of a road trip and you’re like, ‘Man, I just don’t have it today.’ Those days definitely happen.”
All of this makes Golden more impressed by the veterans who have been doing it for years and years. “There are people who do balance both and who do this for a very long time. Mad props to them for that,” he said. “I can imagine trying to balance all those things, but it definitely is either younger people or people who have been doing this like 40 years and really know the business, know everybody in the business, and know the organization. The people who have institutional knowledge, it’s really interesting. One of our beat reporters is Mark Zuckerman [of MASN]. He’s been covering the team since 2005. He has an institutional knowledge that I just don’t have.”
That brought us to another important part of the job: Beat writers need to develop relationships with the people they’re covering. I asked Golden whether he has an easier time talking to players now than he did when he first started. “Definitely, yeah,” he said. “When you first join the beat there is a bit of — it’s not discomfort, but — I guess discomfort is the right word. They don’t really know you, you don’t really know them, and now you’re developing trust with them.” The most important thing is putting in the time, especially on road trips. “When you travel, and they realize that you’re traveling with them a lot and they see you on the road a lot, you’re going through the ride with them. I think they start to respect you more and they start to open up more, because they also understand you are going to be around.” Traveling and befriending writers in other cities has also made that easier. For example, when the Nationals signed Eddie Rosario, Golden asked Justin Toscano, who covered Rosario for the Atlanta Journal-Constitution, for advice on how to connect with him. He also traded notes about Jeimer Candelario and Nick Senzel with Charlie Goldsmith of the Cincinnati Enquirer, which was easy because Goldsmith also happened to be Golden’s college roommate.
Golden mentioned several other ways to build trust with players. When they see you keep your word about not printing off-the-record comments, they start to trust that you’re not there to make them look bad. Similarly, they appreciate when a writer strikes the right balance when someone’s struggling. Some of the Nationals follow Golden on social media, where it is sometimes his job to talk about what’s going wrong with the team. “It can be a little bit awkward having to go to guys and be like, ‘Hey man, what happened there? Why’d you make that mistake?’ Or, ‘What was going through your mind?’ It can be awkward, uncomfortable. Nobody wants to ask about failures.” Managing to tell the truth respectfully makes a difference. “As long as you’re fair, and you’re not attacking them personally, I think people can respect that… I think a lot of times, people think the players will get upset if you say something negative. But I also think if you pretend like everything is positive and going well, I think they get upset with that too. Where the guy is 2-for-40 in his last 10 games, and you’re like, ‘What do you think you’re doing well at the plate right now?’ And they don’t want to hear that… You don’t want to personally attack somebody or say something negative about them as a person. But I also do think there’s a balance. You want to be honest with where they’re at. And if they get upset with your honesty, you have to live with that.”
Toward the end of the conversation, I asked Golden what people might not understand about his job. He mentioned the hours and the various unseen aspects, but he also talked about the perspective that comes from doing it day in and day out, and the way that all of his research allows him to ask the right questions. “Having to know the ins and outs of the team, and thinking critically about every roster move. What does this mean? Even just now, Robert Garcia just returned from a rehab assignment, and then Matt Barnes got DFA’d. And what does it mean? What does it mean for Tanner Rainey? I think my first year, I was not thinking like that. Now, your brain naturally goes like that. It’s an odd thought, like, ‘Man, my brain moves like this now?’ But there’s a lot of thought that goes into this.”
Blade Tidwell has a five-pitch arsenal and a future on a big-league mound. Two years removed from being drafted 52nd-overall out of the University of Tennessee, the 22-year-old right-hander ranks among the top prospects in the New York Mets organization. “An old school power pitcher” in the words of our lead prospect analyst Eric Longenhagen, Tidwell has made six appearances for the Double-A Binghamton Rumble Ponies this year and has a 2.59 ERA, a 1.85 FIP, and 38 strikeouts in 31-and-a-third innings.
He’s developed a good understanding of his pitch metrics, a process that began when he was playing with Team USA following his 2021 freshman season at UT. Tidwell “started studying analytics” on his own, and would often discuss the subject with fellow Mets prospect Drew Gilbert, his roommate that summer. He subsequently “didn’t dabble too much into it” during his sophomore year — the Columbia, Tennessee native played just two collegiate seasons due to the pandemic — but that changed after he signed a professional contract. There was a lot more to learn… and to improve upon.
His four-seamer, which sits 94-96 mph and tops out at 98, has grown meaningfully since his amateur days. The 6-foot-4 righty got “around 14-15 inches” of ride in college, and now he gets “around 19 inches on a good day.”
Janzen Blade Tidwell — his father picked his middle name, his mother his first name — also gets good movement on his sweeper. Moreover, he can massage the movement by upping or lowing velocity. Read the rest of this entry »
The best pitching prospect in baseball, 21-year-old Pittsburgh Pirates righty Paul Skenes, is slated to be called up tomorrow to make his major league debut against the Cubs. The 6-foot-6 leviathan has a 0.99 ERA in seven Triple-A starts this year and has struck out 42.9% of the hitters he’s faced across 27 1/3 innings. He’s a ready-made front-of-the-rotation starter, a Herculean physical presence with even bigger stuff, and perhaps the most important part of an increasingly promising situation in Pittsburgh, a city with three baseball playoff appearances over the last 30 years. Read the rest of this entry »
