Ben Lindbergh and Meg Rowley banter about some members of last year’s Yankees and Dodgers still sniping about the World Series, Max Scherzer’s objection to the challenge system, how ABS has broadly been received so far, and assorted tactical considerations concerning when to challenge. Then they preview the 2025 New York Mets (29:08) with The Athletic’s Tim Britton, and the 2025 Los Angeles Angels (1:20:24) with The Athletic’s Sam Blum.
I haven’t been to a spring training game since 2011. I don’t remember the game as well as I remember the events that led up to it. I’d spent two years temping at a bank depository near JFK airport, tracking the transactions of gold, silver, platinum, and palladium bars. Losing track of a gold bar worth half a million dollars wasn’t really an option, so it was a pretty high-pressure job for a 25-year-old making $19 an hour. Because we had to know the market price of gold at all times, I can tell you that for each month I worked, I earned the equivalent of a single gold coin. I gave my notice in January, and in February I took my meager savings and booked a trip across the country by Greyhound bus. After I wore out my welcome with my sister in California, I visited my friend Alex in Arizona and we caught a Reds game at Goodyear Park. Yesterday, I dug up an email exchange from when I was planning my escape. Alex asked how long I expected to be gone; were we talking days or weeks? “We are talking weeks,” I wrote back. “We are talking about quitting my job and getting the f*** out of here.”
This long walk of a lede is intended to introduce two themes. The first is that most fans don’t get to see much of spring training. We’ve only got so many vacation days, and most of us don’t live near Florida or Arizona. All the games are day games, and even when they’re televised, we can’t exactly watch them in the middle of a work day. I’d venture to say that I’m a pretty big baseball person, and it took a minor existential crisis to get me to my one and only Cactus League game. As a result, spring training is both the time when we’re thirstiest for baseball news and the time when we’re most dependent on beat writers for it.
As always, beat writers are watching the games we can’t and talking to the players and coaches. They’re also getting a much more expansive view than they have during the regular season. They’re observing on the backfields during bullpen sessions, infield drills, live batting practice, and the occasional cabbage race. You might hear through a team spokesman that Rafael Devers has started taking grounders, but a beat writer like Jen McCaffrey, who covers the Red Sox for The Athletic, can put you right there, watching Devers scoop balls off a strip of turf tucked behind a metal fence, with Kristian Campbell looking on and Vaughn Grissom shooting baskets while he waits his turn.
“I knew that Devers would be doing some of his separate,” McCaffrey told me, explaining how she prepared to get that shot. She left the team’s clubhouse availability early to make sure that there was a spot from which she could film him. Given the awkward location, she couldn’t do much about the quality of the video, but she knew that any news about Devers would be welcome. “I figured people are probably interested. What’s he doing? How’s he preparing? People have a lot of questions about him.”
That brings us to our second theme, which is mission creep. I’ve been thinking about it a lot during spring training, specifically because of videos like that one. I first heard the phrase in a book about the space shuttle program – astronauts trying to keep their schedules from getting so overloaded with experiments that they wouldn’t be able to keep up – but mission creep can come in many forms. I think about it most often in a work context. You start a job with a certain set of responsibilities, but somehow, you just keep accumulating new ones until you’re completely buried. When I started at the bank depository in 2009, my job was to help out with the paperwork on trades. I was just an extra pair of hands, and not a particularly busy pair. “You should probably bring a book,” my boss told me on my first day.
Sitting at my desk – a plastic folding table that generated enough static electricity to solve the global energy crisis – I read the complete works of Shakespeare cover to cover. I read the “Iliad” and the “Odyssey” and Infinite Jest, but I also started to get busier. By the time I gave my notice, I had been told to knock it off with the reading. I was using four redundant systems to track the thousands of bars and coins that entered and exited the warehouse. I tracked them on paper, and on a creaky — literally — IBM ThinkPad from the 1990s, I tracked them in a gargantuan Excel spreadsheet, a 1970s computer program straight out of Apollo 13 mission control, and a new, web-based program that didn’t quite work yet.
For beat writers, technology and social media are huge sources of mission creep. Over the past several years, it’s become standard for writers to respond to fan questions on social media, as well as to post pictures and video from batting practice, live play-by-play of the game, and the most interesting quotes from their pre- and post-game interviews. It’s a huge amount of work, and it steals time away from the core job of writing about the team. This article is specifically about pictures and videos from spring training, which have proliferated in recent years. When Blue Jays pitchers and catchers reported to Dunedin, MLB.com’s Keegan Matheson posted long videos of bullpen sessions from directly behind the catcher. Curious how Max Scherzer would look coming off an injury-riddled 2024 season? You could judge the break on his changeup and see the life on his fastball for yourself, because Matheson was willing to stand there keeping his phone’s camera lens perfectly aligned with a hole in the chain link fence as 93-mph heaters bore down on him.
After growing in popularity of for years, this kind of video has reached critical mass. For the last two weeks, my Bluesky feed has consisted of two things and two things only: soothing videos of ballplayers beneath blue skies, tuning up for the season on quiet backfields, and frantic missives documenting the collapse of American democracy. I reached out to several writers to talk about these videos, both because I can’t get enough of them and because this is more fun to talk about than the second thing.
The first thing I learned is that this particular form of mission creep is not mandatory. Everyone told me that while finding new ways to engage with potential readers is obviously a good thing, it’s not something they’re asked to do, and several mentioned that Twitter doesn’t generate much traffic for their publications anymore. Still, the practice has become standard. Spencer Nusbaum, who covers the Nationals for the Washington Post, told me in an email that he started taking videos as a way to reinforce his handwritten notes, but “started posting (some of them) because other people were doing it.” Said McCaffrey, “When I started covering the team 10, 11 years ago, I think it was out there, but I feel like over the past decade or so, it’s definitely become a thing that beat writers have leaned into.” Andy Kostka, who covers the Orioles for The Baltimore Banner, called it “a practice I do without stopping to wonder why.”
The obvious appeal is that after a long offseason, people really want to know what’s going on with their team. “It’s mostly a spring training thing for me,” said Peter Abraham, the Boston Globe’s baseball columnist, in an email. “People seem to like seeing the players for the first time in a while, the new guys especially.” Beat writers tend to hear plenty of criticism about their coverage of the team, so the opportunity to deliver something that people are truly excited to see is gratifying. “Especially at this time of the year,” Kostka said in a DM, “the dopamine hit of sending a video and seeing fans super amped for a rudimentary task is pretty great. Video of someone lightly tossing a baseball? Some guy replies: ‘This gave me life.’ … It helps me a little remember that I’m pretty lucky to do this.” Dan Hayes, who writes about the Twins for The Athletic and has been covering spring training since 2007, reminded me in a DM that, like most baseball writers, he started out as a huge fan: “I’m afforded access that most fans will never experience. Not only does the company send me to Florida at a time where 99 percent of my followers are freezing, but I’m allowed into certain areas of the park that [are] restricted to fans. Giving them a sense of what goes on here is fun.”
As Hayes mentioned, the videos also show us a part of the game that we just don’t get to see. The jobs of players and coaches look very different during the first few weeks of spring training, and we only glimpse them through this particular form of media. “The access is great,” said Nusbaum, who noted that he’s sometimes so close to the action that he has to be careful about blocking the view of the coaching staff. “The press box at Nationals Park is a million feet in the air when the games are going on. Also, we’re typing away as the action is happening during the season. We can be a few feet away from the action here, unencumbered by laptops. We can see, for instance, what the pitching coach is trying to teach 15 feet away. It’s fun to document that visually.”
The access doesn’t always mean that the videos are easy to get, however. Sometimes phones break or run out of memory. Sometimes it’s just awkward. “Trying to record through holes in the fence from a pretty bad angle,” Nusbaum said. “Yeah, that’s absolutely the worst part.” The extra work that goes into this also presents an extra opportunity for critics. “I’ve had fans yell at me more so for quality,” said McCaffrey. “One guy was like, ‘You need to do horizontal instead of vertical video,’” she said, laughing. “I was like, ‘OK, alright. Calm down, buddy.’”
During the regular season, a player can make 600 plate appearances, but as the pictures and video demonstrate, spring training is its own kind of pressure cooker. During live BP, it’s not at all uncommon to see the entire coaching staff, prominent members of the front office, and a cadre of players posted up directly behind the catcher, watching intently through the legs of the extra-large tripod that holds the portable Trackman unit.
Said McCaffrey, “I don’t know how other teams do it, because obviously I’m following the Red Sox throughout the spring, but every time a guy pitches, pretty much the entire pitching staff comes out and watches him. It’s kind of interesting and a camaraderie thing.” At Jet Blue Park in Fort Myers, she stayed zoomed out for several videos of live BP. The skewed angle allowed her to capture the action on the field, some of the prominent spectators, and the live Trackman feed on the right field scoreboard. Not only could you watch Garrett Crochet dispose of Roman Anthony, but six days after pitchers and catchers reported, you could see that he was already in midseason form, his four-seamer hitting 97 mph with 15 inches of induced vertical break. “That’s also something I like to try to get in there too,” she said, “so fans that are into the analytics side of the game can see some of the numbers of what guys are working on in practice, and how pitches are landing or moving.”
At the same time, there’s so much going on throughout the complex that writers also have the chance to catch something no one else sees. “You never know when something is going to add some color to your story,” Nusbaum said. “In spring training, because of the access, because you can head over to a backfield that no one else is at or talk to the prospect that you might only see once during the actual season, you can get some truly unique scenes.” He often keeps those moments off social media, stashing them in his back pocket for use during the grind of a long season. “That might seem counterintuitive, vis a vis engaging with fans. But at the end of the day, my primary job is to write, and sometimes I want to save a video until the story is out. Because there’s probably context there that fits with a story rather than a tweet.”
What I personally love the most about these videos is the fact that they look like what they are: cell phone videos taken by regular people. “I don’t have the best technology,” said McCaffrey. “It’s just my iPhone, so it’s not like I can do too much about that.” I think we tend to forget about how beautifully baseball is packaged most of the time. The picture at the top of every article was selected by an editor from a dozen competing options, all of them taken by a ridiculously talented professional sports photographer with a shelf full of awards at home. The same goes for the camera operators who shoot the games for television, and they’re just part of a production team brandishing the latest technology to make the game look gorgeous. John DeMarsico, who directs Mets broadcasts for SNY, is fond of saying that baseball is cinema, and that’s never been more true. But for these few weeks during spring training, we get to see it through a less cinematic, more personal lens. We see it in 12-second clips with the wind whipping in the background, shot on whichever phone a reporter has in their pocket, from whatever odd angle they can finagle.
For a couple weeks, we get to see the game through a completely different lens, both literally and figuratively (or as the kids say, flitteratively). I don’t mean to say that the gorgeous version of baseball that we see for most of the year isn’t real, but it is undeniably stylized. Even on a quiet getaway day, it’s presented with grandeur. It feeds into the mythos of the game, the idea of baseball, the one you can’t not be romantic about. I just enjoy seeing the scruffy edges. Sure, baseball is an idea, but they make it feel more real to me, more personal.
Even when I explained it to them, people had trouble wrapping their heads around my job at the bank depository. When you think about investing in gold, you probably just imagine clicking a button on the computer or asking a financial advisor to click a button on the computer. An extra graph appears on your Charles Schwab splash page; now you’ve invested in gold. To you, it’s just the idea of gold. But it’s also real, and not particularly glamorous. You have to buy it on the commodities exchange and pay a storage fee. I sat in a gross, windowless office next to a gross, windowless warehouse stacked high with pallets of tarnished 1,000 ounce silver bars. For a couple years, when your financial advisor clicked that button, I would end up getting a fax, writing a transfer order, logging it in four separate places, and handing a carbon copy to Sylvia, who handed it to Garry, who handed it to Mike, who carried a specific gold bar from one part of the vault to another. “It’s sort of like if you traded for Derek Jeter on your fantasy team,” I’d explain, “and then a clubhouse attendant had to load him up on a cart and wheel him over to the other side of the locker room.”
“There are two types of realist,” Robert Frost wrote. “The one who offers a good deal of dirt with his potato to show that it is a real potato. And there is the one who is satisfied with the potato brushed clean. I am inclined to be the second kind. To me, the thing that art does for life is to clean it, strip it to form.” I’m inclined to be the first kind. I can’t help it. I like hearing the strings squeak as the guitarist’s fingers scramble up the fretboard. It makes me feel like I’m there in the room. I love that there’s a little window of time when baseball’s acres and acres of dirt don’t get cleaned up. “I’m certainly not a good photographer,” Abraham said. “If I like a photo I’ll post it. That’s really about it. Once the games start and people can watch NESN, I’ll dial back unless it’s something unusual.”
On my last day at work, my colleagues Chubby and Sylvia gave me a going away present: a one-ounce bar of silver. I’ve still got it. At Goodyear Field, Alex and I were excited to see Aroldis Chapman throw a ball faster than anyone else on earth could throw a ball, and, if my memory’s right, I think we did. I remember walking across the grassy parking lot. I remember eating chili dogs in the shade of the concession stand, so focused on not spilling anything on our clothes that we didn’t notice the foul ball coming until it landed right at our feet and caromed off the wall right in front of our faces.
The Blue Jays were posting live batted ball data during batting practice, and this is indeed cool. At the absolute worst, this is an interesting bit of information for anyone who happens to be hanging around. We all have varying appetites for data while consuming sports, but I don’t know anyone who sees a hitter put a ball in the seats and doesn’t immediately think, “I wonder exactly how far he hit that.” Read the rest of this entry »
The 2024 season was a big one for Kyle Finnegan, or at least it started that way. On the strength of a 2.45 ERA and 25 saves, the Nationals’ closer made his first All-Star team (he finished the year with 38 saves, good for second in the National League). Yet he struggled in the second half, and in November, the Nationals non-tendered him rather than risk a trip through arbitration. On Tuesday — the same day I highlighted his continued free agency within this roundup — he returned to the fold nonetheless on a one-year, $6 million contract.
The deal, which is pending a physical and a 40-man roster move at this writing, is not yet official. Given that Finnegan made $5.1 million last year, the new contract constitutes about an 18% raise for the 33-year-old righty. However, in his annual projections for arbitration-eligible players at MLB Trade Rumors, Matt Swartzestimated that Finnegan would land a salary of $8.6 million, just shy of a 69% raise, because saves play well in arbitration. The view that Finnegan got something of a raw deal by this process is offset by the fact that he did get to test free agency a year ahead of schedule, only to find the market for his services limited enough to make a return his best option. Among the other 29 teams, the Cubs appeared to show the most interest.
Earlier this month, Nationals general manager Mike Rizzo told reporters that the team had kept in touch with Finnegan “throughout the offseason.” He likely lingered on the market because his profile and his performance both have some notable dings. Conceptually, Finnegan is basically a two-pitch pitcher, with a four-seam fastball that averaged 97.2 mph in 2024, and a splitter that has replaced his slider as his main secondary pitch over the past couple of seasons. By the pitch models, the fastball is about average, while the splitter is above-average but short of being a true plus pitch. He doesn’t miss a ton of bats, and while he generates a healthy share of groundballs, he gives up a lot of hard contact. Read the rest of this entry »
Triston Casas is making some changes with his left-handed stroke, and he’s doing so with the Green Monster in mind. The Boston Red Sox slugger has historically used the entire field — his pull-center-oppo numbers last season were 38.5%, 38.5%, and 23.0%, respectively — but he wants to take even better advantage of his home park. Bashing with arms bent will be part of that process… at least for now. Compared to his many of his contemporaries, Casas can be a bit of chameleon when it comes to fine-tuning his swing.
David Laurila: You’re making some adjustments at the plate. What are they?
Triston Casas: “It’s more an approach of keeping my swing inside my frame. I want to have the angles of my body — my hips and my shoulders — in alignment, and try to make sure that I’m making contact inside my body. I want to feel like I’m hitting with my arms bent at a certain point.
“As a hitter, you need that triple extension. Your wrists, your front leg, and your back hip are all perfect, at the right time, as you’re making contact. That’s where you get the power.”
Catcher is a thankless job. If you do it successfully, perfectly even, that means that you’re letting highly paid professionals whip projectiles at you as hard as they can hundreds of times a day. Sometimes, other highly paid professionals will divert these projectiles toward you at the last second, or inadvertently hit you with the giant wooden sticks they’re carrying. You have to dive around and flail your limbs, because the only thing worse than getting hit by one of these balls is not getting hit by them; letting them fly by hurts your team. People try to steal from you constantly, so while you’re trying to catch a rock-hard 100-mph pellet, you also have to scan your peripherals. And if all of that isn’t bad enough, here’s the worst part: Sometimes your manager chooses to start Martín Maldonado ahead of you.
I kid, of course, but I’m writing about Yainer Diaz today, and his gradual phase-in to the major leagues is a key part of his major league career so far. Diaz burst onto the big league scene in 2023 with the kind of approach that makes hitting instructors wince, then shrug their shoulders and nod. He swung early and often, took big hacks, and generally acted like he was allergic to taking walks or hitting singles. It worked. He clobbered 23 homers in only 377 plate appearances, spraying loud contact to all fields. He played better-than-expected defense, too, belying his early scouting reports.
Despite that excellent rookie season, Diaz couldn’t displace an aging Maldonado as the team’s primary catcher; he took some reps at DH, but lost those as well when the team got healthy. By the playoffs, he was an afterthought, a pure backup catcher. But when Maldonado (and manager Dusty Baker) departed in the offseason, Diaz ascended to a starting job. Then he struggled – through the All-Star break, he was hitting a so-so .284/.308/.409 with iffy defense. If you’re more of a WAR person, that’s 1.1 WAR, not great. Here’s one story you could tell about Yainer Diaz: a prospect who struggled to break through with regular playing time. Read the rest of this entry »
Michelle Yeoh is one of the greatest actors working today. How do I know that? It’s not her 40-year career, the 50-plus films on her résumé, or the Academy Award in her trophy case. No, it’s the fact that she was cast in the film adaptation of Wicked, one of the most beloved musicals on the planet, despite having no previous vocal training or singing experience. She told director Jon M. Chu as much before she agreed to join the cast: “You know Jon, I don’t sing.” With all due respect, it shows.
If you haven’t already seen Wicked, well, you should hurry up, because the Oscars are on Sunday. At the very least, take a listen to “The Wizard and I,” in which Yeoh sings alongside Broadway star and Academy Award nominee Cynthia Erivo. Their pairing is the vocal equivalent of the “unfinished horse drawing” meme. Yet, within the context of the entire film, Yeoh makes it work. Her acting is so strong, her portrayal of Madame Morrible so complete and convincing, that by the end of the movie, it’s hard to imagine anyone else in the role. She might have a dark blue slider bar in the Vocal Runs Above Average section of her Cinema Savant page, but her overall performance was well above replacement level.
There are surely some passionate musical theatre fans who took umbrage at the casting of a non-singer in a singing role. I don’t count myself among them. I think there is something wonderful about the idea that someone can use their strengths to overcome their weaknesses. It’s nice to know a person doesn’t have to be skilled at every part of an activity to be altogether successful. On that note, here’s what it looks like when professional baseball player Josh Bell tries to run: Read the rest of this entry »
Back in the days before Junior Caminero — even in the days before Wander Franco — there was Brandon Lowe, a 5-foot-10 second baseman who anchored the Tampa Bay Rays’ lineup during its most fecund period. As the Rays made the playoffs five years in a row from 2019 to 2023, and won the pennant in 2020, Lowe was at the center of it. He posted a 151 wRC+ in 2020, and a year later he hit 39 home runs.
That’s tied for the second-most homers in a season in Rays history, up among a bunch of guys (Carlos Pena, Logan Morrison, Jose Canseco) who are so big they could fit Lowe in their jacket pocket.
Now, as Caminero is bashing his way into the everyday lineup, Lowe is at an inflection point in his career. He’s struggled to stay healthy the past three years, and he turns 31 in July. And because everything the Rays touch has to be viewed through this lens: Lowe is in the final guaranteed season of his seven-year contract. His 2026 club option is quite affordable, even for Tampa Bay ($11.5 million), but there’s only one option year. Read the rest of this entry »
Ben Lindbergh and Meg Rowley banter about whether certain injuries can improve players, old-but-good guys not getting gigs, the offensive disparity between the Grapefruit and Cactus Leagues, and Bryce Harper’s Phanatic tattoo. Then they preview the 2025 Boston Red Sox (31:16) with The Boston Globe’s Alex Speier, and the 2025 Sacramento Athletics (1:25:13) with Jason Burke of Inside the A’s.
Jose Quintana spent much of the 2024 season as the weak link in the Mets’ rotation. Through August 20 — a point when I happened to check in at Citi Field — he was lit for a 4.57 ERA and 5.13 FIP in 25 starts covering 134 innings. But after that date, just when the Mets needed him the most, he went on a roll, allowing five runs (three earned) over his next eight starts totaling 47 1/3 innings; the last two of those starts were the Wild Card and Division Series clinchers. Though he was shellacked by the Dodgers in his NLCS start, he was hardly alone in that regard.
Despite his high-profile hot streak, Quintana has yet to find a home for 2025. After making $13 million in each of his past two seasons, the 36-year-old southpaw reportedly rebuffed an offer from the Pirates that was larger than the $5.25 million deal to which Andrew Heaneyagreed last week. While a return to the Mets might appear to be in order now that Sean Manaea will miss a chunk of April due to an oblique strain — that following the loss of Frankie Montas to a high-grade lat strain that could keep him out until mid May or later — the team doesn’t appear ready to add another starter from outside the organization.
As the Pirates’ turn from Quintana (who pitched for them in 2022) to Heaney illustrates, teams in search of starters at this late stage still have multiple options from among the current crop of free agents, and they’re somewhat interchangeable, unlike last year, when two-time Cy Young winner Blake Snell and 2023 postseason stud Jordan Montgomery didn’t sign until mid March (though the latter’s deal hasn’t work out very well). The starters I’m highlighting in this companion piece to my position player roundup are guys who can eat significant innings at the back of a rotation, while the relievers have plenty of late-inning experience. In contrast to the position player piece, where I tried to connect the dots to potential employers either based on previous reporting or spitballing, here I’ll note that most teams besides the Dodgers could use another fourth- or fifth-starter option or a bullpen arm, and where these guys land could depend upon the injuries that befall pitching staffs before Opening Day. Help is just a phone call away. Read the rest of this entry »
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