Tony Barnette, Ryne Stanek, and Nick Tropeano on Developing Their Splitters
Pitchers learn and develop different pitches, and they do so at varying stages of their lives. It might be a curveball in high school, a cutter in college, or a changeup in A-ball. Sometimes the addition or refinement is a natural progression — graduating from Pitching 101 to advanced course work — and often it’s a matter of necessity. In order to get hitters out as the quality of competition improves, a pitcher needs to optimize his repertoire.
In this installment of the series, we’ll hear from three pitchers — Tony Barnette, Ryne Stanek, and Nick Tropeano — on how they learned and developed their split-finger fastballs.
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Tony Barnette, Chicago Cubs
“When I was in Japan, I had a changeup as a starter. It was getting hit. Working on it in bullpens, I remember a couple of Japanese coaches, through a translator, asking me, ‘Why do you throw that pitch?’ I told them that I needed something off-speed, something to use away to lefties. They were like, ‘You’re right, you do. But that’s not it. It’s awful. You need to get rid of it.’
“A lot of guys in Japan throw a split, so they got me on that. I started playing with different grips, and found one that worked for me. If you look at a baseball, the seams are crazy. They go all over. Basically, you split your fingers and find seams. You find seams that fit your hand. Then, one day you have that ‘aha’ moment where it’s ‘Oh my god, this works.’ From there, you working on it more. Read the rest of this entry »

